As stand-alone stories, they mostly work, but in the context of a collection, the author’s lack of empathy for his...
Debut collection of nine dispassionate short stories from a 2004 National Magazine Award finalist in fiction.
In “A Cryptograph,” Sharon searches for her missing son, wandering the city with her only clue: a paint-dusted stencil in the shape of a tank. One of Sharon’s elementary-school students, Eaton Slavin, remembers seeing the image painted on a telephone pole and offers to take Sharon there. At the site, Sharon paints a message for her son; when stopped by the police, she lets them believe that Eaton is responsible and watches silently as he is taken away. “1987, The Races” recounts an unusual joint-custody afternoon. After seeing his gambler father humiliated at the track, an 11-year-old boy decides to desert dad and telephones his mother to come pick him up. In the title story (first published in the Atlantic), Bobby, a sewer-treatment employee, reunites with his former high-school football coach in a hare-brained scheme to kidnap the coach’s daughter from the world of pornography. Once they arrive at her Los Angeles home, Bobby discovers he doesn’t know the full extent of the father and daughter’s past. The best of the lot is the almost-novella “Nepal.” A glazier named Thomas, hired to finish a castle in southern Missouri in 1922, is restoring the greenhouse when he meets Carmen, English niece of the wealthy owners. She was sent to Missouri to recover from the death of her fiancé, killed in the war, and Thomas bears more than a passing resemblance to the dead man. While Carmen’s obsession with him lands Thomas a prestigious stained-glass assignment, it also culminates in a near-tragedy.
As stand-alone stories, they mostly work, but in the context of a collection, the author’s lack of empathy for his characters becomes off-putting.Pub Date: May 16, 2006
ISBN: 1-59692-168-4
Page Count: 275
Publisher: MacAdam/Cage
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2006
BOOK REVIEW
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.
Pub Date: May 11, 1999
ISBN: 0-553-10963-4
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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