Often horrific, relentlessly stark, and truly unforgettable.
Day (Necrosaurus Rex, 2014) offers 11 dark tales teeming with monstrous beings.
It’s fitting that so many characters in this horror short story collection are surrounded by death. William, the groundskeeper for the Reed family in “The Ghosts in Winter’s Wake,” for example, had a sister who was murdered, and both his mother and Philip, the youngest Reed child, died in the snow. The latter loss conjures up somber memories, which may be causing William to hear voices. Similar tragedies befall the main characters of “Snow Like Lonely Ghosts…” and the genuinely unsettling “Bright Red Mess,” both of whom have lost their mothers. These tales both delve into the shadowy side of humanity; some characters are unhinged while others are sane but simply evil. Vile creatures abound in other stories: some friends soon regret swimming in the vicinity of a rumored Volkswagen-sized turtle in “Chomp Chomp,” and there may be validity to the warning from Tim’s grandfather about a witch in “Spoiling.” Day showcases his versatility in the last two tales: “Beast Mode” abandons chills in favor of action, as vengeance-seeking bikers make the mistake of attacking a werewolf on his wedding day. It’s a visceral piece, rife with blood, biting, and bullets, this time making the monster the protagonist (complete with a romance) and the purely human characters far more ghastly. In the closer, “GG Allin and the Final Flight of the Chrysanthemum Byzantium,” the late, infamous real-life rocker of the title gets a pass out of hell and the gift of immortality. It’s a gleefully odd sci-fi/fantasy hybrid, and exactly how GG stays immortal is best left unspoiled. Prefacing each story are Spooner’s (Dead Men, 2015, etc.) stunning black-and-white illustrations, which look as if they’ve been scratched onto the pages. They accentuate the already haunting descriptions, such as this passage from “Snow Like Lonely Ghosts…”: “Snow falls thick, like meat, and covers damn near everything but the persistence of man….The cold outside is patient, aches bones, like the pain of being lonely.”
Often horrific, relentlessly stark, and truly unforgettable.Pub Date: July 17, 2017
ISBN: 978-1-945373-89-3
Page Count: 138
Publisher: JournalStone
Review Posted Online: Aug. 2, 2017
Kirkus Reviews Issue: Oct. 1, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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