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LOAF THE CAT GOES TO THE POWWOW

Both a purr-fect pet story and a vibrant celebration of cultural identity.

The tale of a cat and her boy.

Loaf—so named because she resembles a loaf of bread when curled up—loves hiding, napping in the sun, and chasing rubber bands thrown by her boy, a young Indigenous child. Loaf adores the boy, who shows off his grass-dancing moves, with his long, braided hair and the ribbons on his regalia spinning as he twirls. One day, the boy and his family leave. Loaf knows something’s going on, so she escapes through a window (“Because I am a genius, it was not hard”) and follows the boy’s scent to a powwow. She hides, watching the jingle dress and fancy shawl dancers—until she sees her boy. After he finishes his performance, she leaps out, surprising him. DeShaw (Bois Forte Ojibwe and Eagle Clan) uses repetition to captures a cat’s uniquely self-possessed perspective; feline lovers will smile with recognition as Loaf assures them that sometimes her boy “thinks it’s time for sleep, but I know it is really time for play.” Audibert, who’s of Wolastoqiyik and French heritage, directs readers’ attention to dancers in the powwow scenes; in her heavily stylized, thick-lined illustrations, the performers stand out with pops of color and swirls of movement. Delicate floral Ojibwe details are incorporated throughout.

Both a purr-fect pet story and a vibrant celebration of cultural identity. (Picture book. 4-8)

Pub Date: May 28, 2024

ISBN: 9780593461853

Page Count: 32

Publisher: Nancy Paulsen Books

Review Posted Online: April 20, 2024

Kirkus Reviews Issue: May 15, 2024

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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