An alluring and adventurous ride through a criminal underworld.
Fillmore’s debut memoir chronicles how he fell into business with international heroin smugglers.
The opening lines of this remembrance plunge readers into action at the Nigerian border as chaos ensues over a lost bag of heroin. The author then looks back on his first assignment for a smuggling ring, and he recalls the initial intoxication of joining a crowd of 20-something college grads, desperate to bust “out of the narrow confines of our lives” by smuggling heroin into the United States from Europe. However, Fillmore’s “beginner’s luck” quickly ended when heroin went missing and he was forced to swear his allegiance to Alhaji, a Nigerian drug boss. Over the course of the book, Fillmore gracefully articulates the illusory charm of crime, which kept him and his business partner, Claire, coming back to Alhaji and his trade: “We simply did not conceive of ourselves as criminals,” he confesses, revealing the callowness of youth. But when the author was arrested by Drug Enforcement Administration agents and sentenced to four years in a maximum-security prison, he finally had to reckon with the “indignity of renouncing my actions.” Fillmore’s journey is replete with incredible, cinematic visual details, as well as a motley crew of characters, such as “fishermen lacquered in blood and fish scales.” His narration shows impressive thoughtfulness and clarity, even as he relates his journey at a breakneck pace. However, he sometimes glosses over piquant details that might have made for an even more engaging story; for instance, readers learn very little about the days leading up to Fillmore’s first assignment, when he and his colleagues “drink and plot, immersing ourselves in the details, arrivals, departures, in order to distract ourselves from the larger meaning of our travels.”
An alluring and adventurous ride through a criminal underworld.Pub Date: Nov. 29, 2018
ISBN: 978-0-578-40348-9
Page Count: 290
Publisher: iambic Books
Review Posted Online: Jan. 27, 2020
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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