Unfolds a world of music for casual as well as serious listeners.



Folded, appropriately enough, accordion style, a panoramic survey of noteworthy music and music makers from bone flutes to Beyoncé.

With an international outlook and an eye for music that incorporates disparate styles and traditions, the authors and Taylor closely fill both sides of a nearly 8-foot-long strip of sturdy stock with hundreds of human figures—broadly diverse in skin color and period or national dress—and musical instruments, all paired to blocks of pithy but lucid commentary. Following an opening world map of prehistoric highlights on every inhabited continent, the contents take a chronological drift with biographical entries running along the top, cultural notes in the middle, and technological advances highlighted at the bottom. Select milestones in opera, orchestral music, and rock-’n’-roll get fair shares of attention (the Beatles even rate an entire page), but so do the histories of Indigenous American, Asian, and African music; son Cubano and Caribbean styles; Australian bush music; and other music linked to particular cultures or regions. Likewise, the nods to lesser-known figures or milestones—composers such as Amy Beach, performers from kunqu opera founder Wei Liangfu to punk ranter Poly Styrene, and tools such as the online music platform Chinabot—can’t help but give young audiences an expansive view of what music is and can be.

Unfolds a world of music for casual as well as serious listeners. (recommended playlist, authors’ notes, glossary, source list, index) (Informational novelty. 9-12)

Pub Date: May 12, 2020

ISBN: 978-1-9999679-4-9

Page Count: 22

Publisher: What on Earth Books

Review Posted Online: March 25, 2020

Kirkus Reviews Issue: April 15, 2020

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A stereotype about people with disabilities is shattered by this introduction to a dance company known as Dancing Wheels, a group composed of “sit down” and “stand-up” dancers. The story begins with Mary Fletcher-Verdi, born with spina bifida, a condition that causes weakness in the legs and spine. Mary always wanted to dance, and, encouraged by a family who focused on what she could do rather than what she couldn’t, she studied the art and eventually formed a mixed company, some who dance on their legs, and some who dance in wheelchairs. What she accomplished can be seen in this photo journal of the group’s dance workshop in which beginners and experienced dancers study and rehearse. Along the way, McMahon (One Belfast Boy, 1999, etc.) intersperses the history of the group, some details about the dancers, their families, and the rehearsal process that leads up to the final performance. Three children are featured, Jenny a wheelchair dancer, Devin, her stand-up partner, and Sabatino, the young son of Mary’s partner. The focus on these youngsters gives the reader a sense of their personalities and their lives with their families. Godt’s (Listen for the Bus, not reviewed, etc.) color photographs detail every aspect of the story and show the dancers at home and in rehearsal, interacting with each other, having fun, and finally performaning. They convey the dancer’s sense of joy as well as the commitment to the dance as an art form felt by the adult directors and teachers. An excellent book for helping children and adults expand their understanding about the abilities of the “disabled.” (Nonfiction. 7-12)

Pub Date: Sept. 1, 2000

ISBN: 0-395-88889-1

Page Count: 48

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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In no particular order and using no set criteria for his selections, veteran sportscaster Berman pays tribute to an arbitrary gallery of baseball stars—all familiar names and, except for the Yankees’ Alex Rodriguez, retired from play for decades. Repeatedly taking the stance that statistics are just numbers but then reeling off batting averages, home-run totals, wins (for pitchers) and other data as evidence of greatness, he offers career highlights in a folksy narrative surrounded by photos, side comments and baseball-card–style notes in side boxes. Readers had best come to this with some prior knowledge, since he casually drops terms like “slugging percentage,” “dead ball era” and “barnstorming” without explanation and also presents a notably superficial picture of baseball’s history—placing the sport’s “first half-century” almost entirely in the 1900s, for instance, and condescendingly noting that Jackie Robinson’s skill led Branch Rickey to decide that he “was worthy of becoming the first black player to play in the majors.” The awesome feats of Ruth, Mantle, the Gibsons Bob and Josh, Hank Aaron, Ty Cobb and the rest are always worth a recap—but this one’s strictly minor league. (Nonfiction. 10-12)

Pub Date: Sept. 7, 2010

ISBN: 978-1-4022-3886-4

Page Count: 138

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Aug. 2, 2010

Kirkus Reviews Issue: Aug. 1, 2010

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