This is “the book that somehow fell to me, the son, to write,” states the author, describing himself as “my father’s...
A noir family history told in small ladlings—perhaps all the reader may want to absorb at one time, or all the talented Flynn (Some Ether, 2000) can pour at a sitting.
His mother left her husband when the author was four years old. In a snapshot taken in the early 1960s, “I crawl toward my father’s face as we lay on the grass. . . . The father as ship, as vessel, holding the child afloat. But there was a parallel father as well—the drunk, the con, the paranoid. The father as ship, but taking on water, going down.” Flynn didn’t see his father again for 24 years. In the interval, his mother committed suicide after hovering “in the realm of vapor and shade,” though not before her son had embarked on his drinking career: “By the time Saigon falls I'm drinking whatever liquor I can get my hands on.” He’s 15. When Dad finally gives him a call, they are both wrecks: the elder an alcoholic ex-con living flop to flop, rifling garbage cans, still making stabs at writing, but more concerned with how to stay dry on a rainy night; the younger a doper, part-time drug-runner, working in a homeless shelter, adrift on a “sea of forgetfulness.” While the author ever so slowly, with lots of swings, gathers himself, his father takes to driving a taxi, more for scoping out sleeping venues than collecting fares. Flynn drives the homeless shelter van at night, each bundle a push-pull chance to encounter his father. The voice here is boiled just right: tough, articulate, mindful, without self-pity. There will be little bonding, and any knitting up of the ragged sleeve will have to wait for another time and plane.
This is “the book that somehow fell to me, the son, to write,” states the author, describing himself as “my father’s uncredited, non-compliant ghostwriter.” So give credit now, where it is well due.Pub Date: Sept. 20, 2004
ISBN: 0-393-05139-0
Page Count: 288
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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