Flynn’s determination to better understand his life through the act of writing and remembering has yielded a truly...
Flynn (The Ticking Is the Bomb, 2010, etc.) writes about having his memoir made into a movie.
In Another Bullshit Night in Suck City (2004), Flynn told the story of reconnecting with his homeless and alcoholic father when the author was working at a Boston homeless shelter in the late 1980s, after Flynn’s mother had committed suicide years earlier. That memoir became the basis for a movie, Being Flynn, filmed in 2011 and released this year, starring Robert De Niro and Julianne Moore as his parents. (Actor Paul Dano, of There Will Be Blood fame, portrayed Flynn himself.) This new memoir is told as a series of short, almost pointillist vignettes—most a page or less—creating a complex patchwork of thoughts and ruminations on memory. Flynn systematically tries to make sense of his roiling emotions as he cycles through episodes from his and his parents’ lives. The inherent surreality of having your life portrayed by actors is a major theme. Describing a table reading of the film script, Flynn writes, “De Niro opens his mouth and my father comes out, then Dano opens his mouth and I come out, then Julianne opens her mouth.” Several times, Flynn uses a quote from another writer—Joan Didion, Friedrich Nietzsche, Simone Weil and others—as a springboard to a new thought or to sharpen a previous one. He also analyzes other works of art, from glass flowers to a scene from The Godfather Part II to an obscure Samuel Beckett/Buster Keaton film.
Flynn’s determination to better understand his life through the act of writing and remembering has yielded a truly insightful, original work.Pub Date: Jan. 7, 2013
ISBN: 978-0-393-34435-6
Page Count: 224
Publisher: Norton
Review Posted Online: Oct. 6, 2012
Kirkus Reviews Issue: Nov. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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