Next book

THE TICKING IS THE BOMB

A MEMOIR

A striking collection of memories that will mystify, enlighten, trouble and amaze.

Memoir as meditation on love and loss, birth and death, good and evil, from PEN Award winner Flynn (Another Bullshit Night in Suck City, 2005, etc.).

In 2007, as the author awaited the birth of his daughter, he became obsessed with the stories of torture at Abu Ghraib prison in Iraq. He felt that his daughter was only as real as the sonogram images of her, the tortured only as real as the now infamous photos of their naked bodies mired in humiliation and pain. This would change. Maeve Lulu was born, and Flynn traveled to Istanbul to witness the testimonies of ex-detainees of Abu Ghraib. Between his daughter’s imminent birth and his confrontation with the tortured, Flynn became lost—“Everyone, if they live long enough, will lose their way at some point”—and, above all, bewildered—“bewilderment of waking up, my hand on Inez’s belly, as the fine points of waterboarding are debated on public radio.” His only way back was to remember, and so he wrote of memories—some long ago, some fresh wounds, some clear in their meaning, some as elusive as wind. Some memories led to other memories, while others stood alone. He remembered a mother who committed suicide at age 42, a father who was lost to alcohol and then prison at 45, returning to Flynn’s life a ruined man in need of care. He remembered lovers he could not love and feared that when Maeve was born, “I will look at her and not feel a thing.” The author summoned the image of the dragon in Paradise Lost and wondered if it might consume him, the torturers he hates, or both. Flynn recalls and records in a stunningly beautiful cascade of images. In the end, he realizes that only love was real: “The only miracle is now. Lulu is the only miracle.” And that was enough.

A striking collection of memories that will mystify, enlighten, trouble and amaze.

Pub Date: Jan. 18, 2010

ISBN: 978-0-393-06816-0

Page Count: 240

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2009

Next book

THE FIXED STARS

A courageous and thought-provoking memoir.

A bestselling memoirist’s account of coping with an unexpected midlife evolution in sexual identity.

When Wizenberg, who runs the popular Orangette blog, received a jury duty summons, she never thought that it would lead to divorce. In court, her eyes were immediately drawn to a female defense attorney dressed in a men’s suit. Her thoughts lingered on the attractive stranger after each day’s proceedings. But guilt at being “a woman wearing a wedding ring” made the author feel increasingly guilty for the obsession that seized her. Her husband, Brandon, a successful Seattle restaurateur, and their daughter were the “stars” that guided her path; the books she had written revolved like planets around the sun of their relationship and the restaurants they had founded together. However, in the weeks that followed, Wizenberg shocked herself by telling her husband about the attraction and suggesting that they open their marriage to polyamorous experimentation. Reading the work of writers like Adrienne Rich who had discovered their lesbianism later in life, Wizenberg engaged in deep, sometimes-painful self-interrogation. The author remembered the story of a married uncle, a man she resembled, who came out as gay and then later died of AIDS as well as a brief lesbian flirtation in late adolescence where “nothing happened.” Eventually, Wizenberg began dating the lawyer and fell in love with her. Wizenberg then began the painful process of separating herself from Brandon and, later, from their restaurant businesses that she had quietly seen as impediments to her writing. Feeling unfulfilled by Nora, a self-professed “stone top” who preferred to give pleasure rather than receive it, Wizenberg began to date a nonbinary person named Ash. Through that relationship, she came to embrace both gender and sexual fluidity. Interwoven throughout with research insights into the complexity of female sexual identity, Wizenberg’s book not only offers a glimpse into the shifting nature of selfhood; it also celebrates one woman’s hard-won acceptance of her own sexual difference.

A courageous and thought-provoking memoir.

Pub Date: May 12, 2020

ISBN: 978-1-4197-4299-6

Page Count: 256

Publisher: Abrams

Review Posted Online: Feb. 16, 2020

Kirkus Reviews Issue: March 15, 2020

Next book

LET ME FINISH

Graceful and deeply felt.

A collection of personal pieces, combined into an affecting memoir by longtime New Yorker editor Angell.

The author, a noted baseball writer (A Pitcher’s Story, 2001, etc.), has many intimate connections to the magazine Gardner Botsford once dubbed “The Comic Weekly,” in which most of these reminiscences originally appeared. His mother, Katherine, was the New Yorker’s fiction editor; years later, Angell held her former job—and occupied her office. His stepfather, E.B. White, was the magazine’s most important contributor during its most influential years. The memoir mostly concerns New Yorker colleagues and other remarkable people who have been a part of the author’s life. His father, lawyer Ernest Angell, lost Katherine to the younger White but over the years became a figure of immense importance to Roger. Angell loved his mother, loved White, loved his first wife (not much here about the cause of their 1960s divorce), loved his coworkers, loved his job. His portraits are really tributes, whether of the well-known William Maxwell, V.S. Pritchett, Harold Ross or William Shawn, or the lesser-known Botsford and Emily Hahn. Angell offers some New Yorker–insider tidbits (Ian Frazier mimicked Shawn’s voice so well that he could fool colleagues over the phone) and a bit more than you want to know about some of his aunts, one of whom wrote a book about Willa Cather. A dazzling story-within-a-story describes a 1940 round of golf with a mysterious woman who lost a valuable ring. The author seems uncertain how an iPod works but reveals an expertise with machine guns. His fickle memory frustrates and bemuses him. Sometimes he can recall only sensory images; sometimes the story unreeling in his mind skips, stops, fades, dissolves into something else. In several of his most appealing passages, he writes about the fictions that memory fashions.

Graceful and deeply felt.

Pub Date: May 8, 2006

ISBN: 0-15-101350-0

Page Count: 304

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2006

Close Quickview