A striking collection of memories that will mystify, enlighten, trouble and amaze.
Memoir as meditation on love and loss, birth and death, good and evil, from PEN Award winner Flynn (Another Bullshit Night in Suck City, 2005, etc.).
In 2007, as the author awaited the birth of his daughter, he became obsessed with the stories of torture at Abu Ghraib prison in Iraq. He felt that his daughter was only as real as the sonogram images of her, the tortured only as real as the now infamous photos of their naked bodies mired in humiliation and pain. This would change. Maeve Lulu was born, and Flynn traveled to Istanbul to witness the testimonies of ex-detainees of Abu Ghraib. Between his daughter’s imminent birth and his confrontation with the tortured, Flynn became lost—“Everyone, if they live long enough, will lose their way at some point”—and, above all, bewildered—“bewilderment of waking up, my hand on Inez’s belly, as the fine points of waterboarding are debated on public radio.” His only way back was to remember, and so he wrote of memories—some long ago, some fresh wounds, some clear in their meaning, some as elusive as wind. Some memories led to other memories, while others stood alone. He remembered a mother who committed suicide at age 42, a father who was lost to alcohol and then prison at 45, returning to Flynn’s life a ruined man in need of care. He remembered lovers he could not love and feared that when Maeve was born, “I will look at her and not feel a thing.” The author summoned the image of the dragon in Paradise Lost and wondered if it might consume him, the torturers he hates, or both. Flynn recalls and records in a stunningly beautiful cascade of images. In the end, he realizes that only love was real: “The only miracle is now. Lulu is the only miracle.” And that was enough.
A striking collection of memories that will mystify, enlighten, trouble and amaze.Pub Date: Jan. 18, 2010
ISBN: 978-0-393-06816-0
Page Count: 240
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Graceful and deeply felt.
A collection of personal pieces, combined into an affecting memoir by longtime New Yorker editor Angell.
The author, a noted baseball writer (A Pitcher’s Story, 2001, etc.), has many intimate connections to the magazine Gardner Botsford once dubbed “The Comic Weekly,” in which most of these reminiscences originally appeared. His mother, Katherine, was the New Yorker’s fiction editor; years later, Angell held her former job—and occupied her office. His stepfather, E.B. White, was the magazine’s most important contributor during its most influential years. The memoir mostly concerns New Yorker colleagues and other remarkable people who have been a part of the author’s life. His father, lawyer Ernest Angell, lost Katherine to the younger White but over the years became a figure of immense importance to Roger. Angell loved his mother, loved White, loved his first wife (not much here about the cause of their 1960s divorce), loved his coworkers, loved his job. His portraits are really tributes, whether of the well-known William Maxwell, V.S. Pritchett, Harold Ross or William Shawn, or the lesser-known Botsford and Emily Hahn. Angell offers some New Yorker–insider tidbits (Ian Frazier mimicked Shawn’s voice so well that he could fool colleagues over the phone) and a bit more than you want to know about some of his aunts, one of whom wrote a book about Willa Cather. A dazzling story-within-a-story describes a 1940 round of golf with a mysterious woman who lost a valuable ring. The author seems uncertain how an iPod works but reveals an expertise with machine guns. His fickle memory frustrates and bemuses him. Sometimes he can recall only sensory images; sometimes the story unreeling in his mind skips, stops, fades, dissolves into something else. In several of his most appealing passages, he writes about the fictions that memory fashions.
Graceful and deeply felt.Pub Date: May 8, 2006
ISBN: 0-15-101350-0
Page Count: 304
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2006
IN THE NEWS
An exhaustive and exhausting marriage of Austen's Pride and a modern reader’s analysis of it.
A mammoth edition, including the novel, illustrations, maps, a chronology, and bibliography, but mostly thousands of annotations that run the gamut from revealing to ridiculous.
New editions of revered works usually exist either to dumb down or to illuminate the original. Since its appearance in 1813, Austen's most famous work has spawned numerous illustrated and abridged versions geared toward younger readers, as well as critical editions for the scholarly crowd. One would think that this three-pounder would fall squarely in the latter camp based on heft alone. But for various other reasons, Shapard's edition is not so easily boxed. Where Austen's work aimed at a wide spectrum of the 19th-century reading audience, Shapard's seems geared solely toward young lit students. No doubt conceived with the notion of highlighting Austen's brilliance, the 2,000-odd annotations–printed throughout on pages facing the novel's text–often end up dwarfing it. This sort of arrangement, which would work extremely well as hypertext, is disconcerting on the printed page. The notes range from helpful glosses of obscure terms to sprawling expositions on the perils awaiting the character at hand. At times, his comments are so frequent and encyclopedic that one might be tempted to dispense with Austen altogether; in fact, the author's prefatory note under "plot disclosures" kindly suggests that first-time readers might "prefer to read the text of the novel first, and then to read the annotations and introduction." Those with a term paper due in the morning might skip ahead to the eight-page chronology–not of Austen's life, but of the novel's plot–at the back. In the end, Shapard's herculean labor of love comes off as more scholastic than scholarly.
An exhaustive and exhausting marriage of Austen's Pride and a modern reader’s analysis of it.Pub Date: Nov. 1, 2003
ISBN: 0-9745053-0-7
Page Count: -
Publisher: N/A
Review Posted Online: May 27, 2010
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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