A novel for the head more than the heart, but so very intelligent that for a certain kind of reader it will be catnip.
McDonell’s dark, relentlessly readable latest (The Third Brother, 2005, etc.) swings back and forth between Harvard and Africa, and in both cases the education is indeed expensive.
At Harvard, brainy, beautiful professor Susan Lowell prepares to attend the party celebrating her just-earned Pulitzer. Meticulously researched, her book centers on an East African freedom fighter named Hatashil, an authentic folk hero, in Susan’s enthusiastic rendering. But hold everything. Reports have begun circulating of a brutal, bloody atrocity that has wiped out every man, woman and child in a small African village near the Kenya-Somalia border. Informed sources are labeling it “Hatashil’s Massacre.” Suddenly General Hatashil is looking downright genocidal, and is that egg besmirching Susan’s lovely face? Once noticeably in Hatashil’s corner, the U.S. government is backpedaling furiously to get out of it, leaving Susan noticeably alone. Criticism mounts, along with ugly talk about an undeserved prize that perhaps ought to be rescinded. The Crimson attacks her; students want to drop her courses. Cut to Michael Teak, a young Harvard graduate currently in the employ of U.S. intelligence. A linguist and athlete, Michael is also outstandingly courageous and lethally resourceful—a thinking man’s Rambo, as it were. In addition, he’s the only living witness to what actually happened in that ill-fated African village. But will he do the right thing? Will Susan? The 20-something author keeps his smart, ambitious, self-absorbed characters at arm’s-length, doling out understanding and compassion to them while withholding real affection.
A novel for the head more than the heart, but so very intelligent that for a certain kind of reader it will be catnip.Pub Date: Aug. 1, 2009
ISBN: 978-0-8021-1893-6
Page Count: 256
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2009
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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