Witnessing a bloodbath of this scope is like trying to develop rapport with individual ants: characters barely have time to...
A former policeman’s retirement is thrown off course by a deranged killer’s deadly spree.
Detective Superintendent Henry Christie is just starting to relish life as part owner of a pub in sleepy Kendleton. The Tawny Owl has just hosted its first wedding reception, and Henry’s fiancee, Alison Marsh, looks forward to a raft of future bookings. Little does the ex-copper know that he’s squarely in the sights of a skilled assassin. Even when an intruder breaks into the inn and tries to abduct Alison’s 20-something stepdaughter, Ginny, the would-be kidnapper leaves no clue that Henry (Unforgiving, 2015, etc.) is his real target. Since Ginny spends the day after the attack in the hospital with Alison at her side, it’s down to Henry to visit Lord Chalmers, who wants to host a birthday bash for his daughter at the Owl. When two thugs in Range Rovers turn up at Chalmers’ estate, Henry begins to suspect something may be off. His suspicions are confirmed when one of his lordship’s two security guards shoots the other dead. Then it’s game on. The Range Rover guys take out Chalmers, shoot down his wife’s plane for good measure, and chase Henry into the woods. With Henry gone, the body count starts its stratospheric rise. Pretty much everyone seems to be in the cross hairs, and it’s not clear how the killings could possibly be linked except that two geeks from Whitehall Street want to shut down the local police investigation.
Witnessing a bloodbath of this scope is like trying to develop rapport with individual ants: characters barely have time to show up before they’re erased. This one is strictly for readers who want action without any stake in who’s onstage.Pub Date: April 1, 2017
ISBN: 978-0-7278-8680-4
Page Count: 224
Publisher: Severn House
Review Posted Online: Jan. 22, 2017
Kirkus Reviews Issue: Feb. 1, 2017
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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