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SHARING A SMILE

Helpful and timely for children and their grown-ups.

Sophie and her grandfather figure out how to make wearing masks easier for themselves and their neighbors.

Sophie, a small girl, is inside her home with her grandfather watching the world change. Both have brown skin and dark, textured hair. He explains to her that “We all have to wear masks to keep everyone safe.” All her neighbors and the mail carrier are now wearing masks, just like the Hara family has always done outside, even before the pandemic. Most people are doing the things they always do—gardening, riding bikes, and playing—but she cannot see their smiles. Grandpa says that change is hard, and friends can help. This gives Sophie an idea. They both stay up late, sketching and sewing, and the following day, they surprise the neighbors with personalized gifts to make the change easier. As Sophie grows from worry and confusion to understanding and helping, readers learn to name feelings they may be experiencing themselves. The people who live on Sophie’s street are racially and ethnically diverse, and her neighbors are friendly. The bright illustrations use clean lines, white space, and swaths of texture to depict a close-knit community of personalities who care for one another and commit to the common good. Powerful in its simplicity, this story contains lots of social and emotional learning in a small package. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 64.2% of actual size.)

Helpful and timely for children and their grown-ups. (Picture book. 3-9)

Pub Date: Feb. 23, 2021

ISBN: 978-1-5344-9785-6

Page Count: 32

Publisher: Simon & Schuster

Review Posted Online: Feb. 8, 2021

Kirkus Reviews Issue: March 1, 2021

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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