Readers will root for this STEM-focused girl hero.
Young roboticist Efi dreams of creating a better life for her community, where omnics and humans live peacefully, in this novel inspired by the video game “Overwatch.”
Efi spends so many hours in her workshop ironing out bugs in her robots that her mother worries she isn’t connecting enough with best friends Naade and Hassana. But her work pays off when Efi wins the Genius Grant given out by her idol, Gabrielle Adawe, who founded both the organization Overwatch and the African city of Numbani. On the way to Rio de Janeiro to celebrate, Doomfist, who should be in prison, attacks the airport. The destruction left in Doomfist’s wake spurs Efi to put her grant money toward developing Orisa, a compassionate robot that can protect the city she loves. The immense pressure of this project strains the three friends’ relationship, forcing Efi to go it alone. While Efi teaches Orisa to integrate into Numbani, Orisa teaches her about responsibility and friendship—and as Doomfist provokes discord between omnics and humans, Efi, Naade, and Hassana must come together to save Numbani. Drayden (Escaping Exodus, 2019, etc.) gives Efi a clear voice in this engrossing read with smooth pacing and action-packed scenes. The main storyline is tied up enough to keep readers satisfied but interested in the sequel; readers don’t need to be familiar with the video game to understand the book. All characters are black.
Readers will root for this STEM-focused girl hero. (Science fiction. 12-14)Pub Date: June 2, 2020
ISBN: 978-1-338-57597-2
Page Count: 304
Publisher: Scholastic
Review Posted Online: Jan. 22, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
BOOK REVIEW
It’s the haunting details of those around Kai that readers will remember.
Kai’s life is upended when his coastal village is devastated in Japan’s 2011 earthquake and tsunami in this verse novel from an author who experienced them firsthand.
With his single mother, her parents, and his friend Ryu among the thousands missing or dead, biracial Kai, 17, is dazed and disoriented. His friend Shin’s supportive, but his intact family reminds Kai, whose American dad has been out of touch for years, of his loss. Kai’s isolation is amplified by his uncertain cultural status. Playing soccer and his growing friendship with shy Keiko barely lessen his despair. Then he’s invited to join a group of Japanese teens traveling to New York to meet others who as teenagers lost parents in the 9/11 attacks a decade earlier. Though at first reluctant, Kai agrees to go and, in the process, begins to imagine a future. Like graphic novels, today’s spare novels in verse (the subgenre concerning disasters especially) are significantly shaped by what’s left out. Lacking art’s visceral power to grab attention, verse novels may—as here—feel sparsely plotted with underdeveloped characters portrayed from a distance in elegiac monotone. Kai’s a generic figure, a coat hanger for the disaster’s main event, his victories mostly unearned; in striking contrast, his rural Japanese community and how they endure catastrophe and overwhelming losses—what they do and don’t do for one another, comforts they miss, kindnesses they value—spring to life.
It’s the haunting details of those around Kai that readers will remember. (author preface, afterword) (Verse fiction. 12-14)Pub Date: Jan. 12, 2016
ISBN: 978-0-553-53474-0
Page Count: 272
Publisher: Crown
Review Posted Online: Sept. 15, 2015
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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