by Nicola Davies ; illustrated by Marc Martin ‧ RELEASE DATE: Sept. 22, 2020
Perfect for one-on-one and small-group reading and guaranteed to provoke discussions around self-worth and social justice.
Celebrating the worth of every child and the 30th anniversary of the United Nations Convention on the Rights of the Child.
Spare free-verse text encourages each child to embrace their unique identity, but it also recognizes that they need and deserve the support of the community to reach their potential, in keeping with the UNCRC (selections from which appear in the backmatter). As the title says, each child is like a song. “Whatever melody a song sings, / each one is true and beautiful; / unique and special as your own.” A brown-skinned child with short, straight black hair skips down a road in an aerial view, a serene blue bird in the foreground. But in the next spread, a child stands alone, reaching for assistance as a throng of busy adults walks by, absorbed in their own business. While illustrations with sweeping splashes of rich color and minimal details don’t shy from depicting the chaos and danger for refugees in a small boat in a storm and the darkness of forced silence, hate, and war, the overarching tone is positive. A scene of a multiracial group of people striding (and rolling, for a child in a wheelchair) with purpose accompanies the hopeful text: “For together, we raise our voices / for the right of every song to sing out loud, bold and unafraid.” Front endpapers show a single flying bird while a flock of multicolored birds soars on the back endpapers. (This book was reviewed digitally with 10-by-22-inch double-page spreads viewed at 48% of actual size.)
Perfect for one-on-one and small-group reading and guaranteed to provoke discussions around self-worth and social justice. (foreword) (Picture book. 4-8)Pub Date: Sept. 22, 2020
ISBN: 978-1-62371-872-5
Page Count: 32
Publisher: Crocodile/Interlink
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
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by Chana Ginelle Ewing ; illustrated by Paulina Morgan ‧ RELEASE DATE: Sept. 3, 2019
Adults will do better skipping the book and talking with their children.
Social-equity themes are presented to children in ABC format.
Terms related to intersectional inequality, such as “class,” “gender,” “privilege,” “oppression,” “race,” and “sex,” as well as other topics important to social justice such as “feminism,” “human being,” “immigration,” “justice,” “kindness,” “multicultural,” “transgender,” “understanding,” and “value” are named and explained. There are 26 in all, one for each letter of the alphabet. Colorful two-page spreads with kid-friendly illustrations present each term. First the term is described: “Belief is when you are confident something exists even if you can’t see it. Lots of different beliefs fill the world, and no single belief is right for everyone.” On the facing page it concludes: “B is for BELIEF / Everyone has different beliefs.” It is hard to see who the intended audience for this little board book is. Babies and toddlers are busy learning the names for their body parts, familiar objects around them, and perhaps some basic feelings like happy, hungry, and sad; slightly older preschoolers will probably be bewildered by explanations such as: “A value is an expression of how to live a belief. A value can serve as a guide for how you behave around other human beings. / V is for VALUE / Live your beliefs out loud.”
Adults will do better skipping the book and talking with their children. (Board book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-1-78603-742-8
Page Count: 52
Publisher: Frances Lincoln
Review Posted Online: Sept. 23, 2019
Kirkus Reviews Issue: Oct. 15, 2019
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by Hudson Talbott ; illustrated by Hudson Talbott ‧ RELEASE DATE: Sept. 14, 2021
A striking visual representation of how the label “bad reader” can feel.
A slow reader gains confidence.
Strongly influenced by Talbott’s own childhood reading journey, a young tot with a mop of brown hair and pale skin loves art, but reading doesn’t come as naturally. Crayons and colored pencils create imaginative worlds, but the words on a page crowd together, forming an impenetrable wall, with the youngster barely able to peer over. The rest of the class seemingly soars ahead, turning page after page, but the books (in the protagonist’s mind) give chase, flying menacingly like a scene from Hitchcock: “And they were coming for me! / So many words! So many pages!” Talbott expertly captures the claustrophobic crush of unknown vocabulary, first as a downpour of squiggles from the sky, then as a gnarled, dark forest with words lining the branches. But reading slowly doesn’t mean not reading at all. The youngster learns to search for familiar words, using them as steppingstones. And there are advantages: “Slow readers savor the story!” There is even a “Slow Readers Hall of Fame” included, featuring Albert Einstein, Sojourner Truth, and many others. Talbott excels at evincing concepts visually, and this talent is in evidence here as his protagonist first struggles then gains mastery, surfing confidently down a wave of words. Patience and curiosity (along with some fierce determination) can unlock incredible stories. (This book was reviewed digitally.)
A striking visual representation of how the label “bad reader” can feel. (author's note) (Picture book. 4-8)Pub Date: Sept. 14, 2021
ISBN: 978-0-399-54871-0
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
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