A depressingly timely historical village cozy guaranteed to disturb anyone who cares about Ukrainian refugees.
As certain war with Germany looms, the evacuation of children from London provides the perfect backdrop for mystery writer Josephine Tey’s latest round of sleuthing.
The arrival of two buses filled with Shoreditch children in the Suffolk village of Polstead is marked by utter chaos. There are so many more arrivals than anyone had expected that the careful arrangements Hilary Lampton, the vicar’s wife, had made for placing the children are turned upside down. When siblings Lillian, Florence, and Edmund Herron refuse to take in Noah Stebbing along with Betty, the sister they’d agreed to house, Josephine and her lover, screenwriter Marta Fox, suddenly find themselves with Noah, who makes a beeline for his sister before his hosts are awake the next morning. A more serious disappearance is that of Annie Ridley, a local child who vanishes from the playground where the newcomers have been dropped off. DCI Penrose of Scotland Yard leads an all-out effort to find her that’s joined by virtually everyone in the village, including Josephine and the visiting fete judge Mrs. Carter, better known as fellow mystery writer Margery Allingham. An intensive three-day search for Annie ends when she’s discovered alive and safe, reassuring her mother back in London, though her disappearance is linked to the murder of Hoxton rent collector Frederick Clifford outside Castlefrank House, the home of Noah and Betty’s mother. Neither writer carries off detecting honors, but the historical background and the central situation Upson spins out of it are so strong that few readers will care.
A depressingly timely historical village cozy guaranteed to disturb anyone who cares about Ukrainian refugees.Pub Date: Aug. 9, 2022
ISBN: 978-1-64385-902-6
Page Count: 336
Publisher: Crooked Lane
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
High-concept and highly entertaining.
Fiction writers compete to finish a famous author’s abandoned novel.
Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.
High-concept and highly entertaining.Pub Date: April 7, 2026
ISBN: 9780063444614
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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