Achingly perceptive about forbidden relationships and the unreasoning hatred they can provoke, then as now.

SORRY FOR THE DEAD

Real-life mystery writer Josephine Tey’s eighth encounter with fictional crime toggles back and forth between her brush with murder during her early years as a teacher and the time a generation later when the chickens come home to roost.

Hearing about the 1938 London production of Lillian Hellman’s The Children’s Hour floods Josephine, whose play The Laughing Woman is premiering at Cambridge’s Arts Theater, with traumatic memories of the summer of 1915, when rumors about the affair between Georgina Hartford-Wroe and Harriet Barker, partners in the horticultural school Moira House, came to a head with the death of Dorothy Norwood, who, like Hellman’s schoolgirl Mary Tilford, had lodged scandalous accusations against George and Harry. Although the coroner’s court delivered a verdict of death by misadventure, the damage was done: The neighbors’ suspicion and hatred of the couple, fanned by the assumption that Dorothy was murdered, flared out against George and Harry, forcing them to close the school overnight and sending them into exile. In 1938, Daily Mirror reporter Faith Hope, who as Charity Lomax was attending Moira House when the scandal erupted, seeks to resurrect it, linking it to Hellman’s well-known play. When she descends on Josephine, the author and playwright has the best reason in the world to bridle, for on the very day Dorothy Norwood died, she consummated her love with fellow teacher Jeanette Sellwood, a secret Charity already seems to know even though Josephine (Sorry for the Dead, 2019, etc.) has never shared it even with her current lover, screenwriter Marta Fox, who helped Alfred Hitchcock bring Tey’s 1936 novel, A Shilling for Candles, to the screen as Young and Innocent. When will the scandal of Moira House finally be laid to rest?

Achingly perceptive about forbidden relationships and the unreasoning hatred they can provoke, then as now.

Pub Date: Oct. 8, 2019

ISBN: 978-1-68331-984-9

Page Count: 320

Publisher: Crooked Lane

Review Posted Online: July 15, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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POP GOES THE WEASEL

After a flight in fantasy with When the Wind Blows (1998), Patterson goes to ground with another slash-and-squirm psychokiller page-turner, this one dedicated to “the millions of Alex Cross readers, who so frequently ask, can’t you write faster?” By day, Geoffrey Shafer is a charming, 42-year-old British Embassy paper-pusher with a picture-perfect family and a shady past as an MI-6 secret agent. Come sundown, he swallows a pharmacy of psychoactive pills, gulps three black coffees loaded with sugar, and roams the streets of Washington, D.C., in a battered cab, where, disguised as a black man, he rolls dice to determine which among his black female fares he—ll murder. Afterwards he dumps his naked victims in crime-infested back alleys of black- slum neighborhoods, then sends e-mails boasting of his accomplishments to three other former MI-6 agents involved in a hellish Internet role-playing game. “I sensed I was at the start of another homicide mess,” sighs forensic-psychologist turned homicide-detective Alex Cross. Cross yearns to catch the “Jane Doe murderer” but is thwarted by Det. Chief George Pittman, who assigns sexy Det. Patsy Hampton to investigate Cross and come up with a reason for dismissing him. Meanwhile, Cross’s fiancÇe is kidnaped during a Bermuda vacation, and an anonymous e-mail warns him to back off. He doesn’t, of course, and just when it appears that Patterson is sleep-walking through his story, Cross nabs Shafer minutes after Shafer kills Det. Hampton. During the subsequent high-visibility trail, Shafer manages to make the jury believe that he’s innocent and that Cross was trying to frame him. When all seems lost, a sympathetic British intelligence chief offers to help Cross bring down Shafer, and the other homicidal game-players, during a showdown on the breezy beaches of Jamaica. Kinky mayhem, a cartoonish villain, regular glimpses of the kindly Cross caring for his loved ones, and an ending that spells a sequel: Patterson’s fans couldn’t ask for more.

Pub Date: Oct. 19, 1999

ISBN: 0-316-69328-6

Page Count: 432

Publisher: Little, Brown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1999

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