by Nicole Cooley ‧ RELEASE DATE: Sept. 1, 1998
An eccentric first novel by poet Cooley explores the sometimes creepy, sometimes entrancing link between identical twins. Having just given birth to a stillborn daughter, Alice, a 29-year-old artist, begins reconsidering her own troubled history, urged on in this pursuit when her twin Madeline calls to implore Alice to join her in Sarasota. Alice and her husband Owen agree that a summer away from their home in Atlanta would provide a healthful respite; little do they know that it will also provide Madeline with the foothold she’s been seeking to claim Alice for herself once again. When the two are reunited, the present narrative is overtaken by memories of the past: their great-grandmother Agatha, a twin herself, raises their mother Lily after a car accident has killed her parents. Under Agatha’s tutelage, Lily, a budding ballerina with sights on the New Orleans Ballet, becomes immersed in the world of Judy Garland; Agatha and Lily share facts of the singer’s tragic life as others would a love bond. When Lily becomes pregnant, she hopes that “Agatha’s trick”—drinking vinegar and then vomiting—will leave her trim enough to keep on dancing—but her twin daughters are born despite the abuse. Moreover, Agatha abandons Lily for good. Raising Alice and Madeline in a cheap highway motel where she works as a maid, Lily slips into a deranged behavior typical of the traditions of their small family. She teaches her daughters “Agatha’s trick,” tutors them in the life of Judy Garland, takes them on midnight drives around her old haunts, then deserts them before their 18th birthday. Later, when Alice and Madeline meet in Sarasota, it’s obvious to Alice that her sister’s mental condition has deteriorated even further than their mother’s did: she dresses in costumes and wants to go play in an imaginary Emerald City. A quirky and appealing novel as Cooley builds a riveting story around the sometimes dangerous bonds of family.
Pub Date: Sept. 1, 1998
ISBN: 0-06-039251-7
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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by Stephen King ‧ RELEASE DATE: June 8, 1987
Fans weary of King's recent unwieldy tomes can rest easy: his newest is slim, slick, and razor-keen. His first novel without supernatural elements outside of the Richard Bachman series, this psychological terror tale laced with pitch-black humor tells the nerve-jangling story of a best-selling author kidnapped and tortured by his "number one fan." King opens on a disorienting note as writer Paul Sheldon drifts awake to find himself in bed, his legs shattered. A beefy woman, 40-ish Annie Wilkes, appears and feeds him barbiturates. During the hazy next week, Paul learns that Annie, an ex-nurse, carried him from a car wreck to her isolated house, where she plans to keep him indefinitely. She's a spiteful misanthrope subject to catatonic fits, but worships Paul because he writes her favorite books, historical novels featuring the heroine "Misery." As Annie pumps him with drugs and reads the script of his latest novel, also saved from the wreck, Paul waits with growing apprehension—he killed off Misery in this new one. tn time, Annie rushes into the room, howling: she demands that Paul write a new novel resurrecting Misery just for her. He refuses until she threatens to withhold his drugs; so he begins the book (tantalizing chunks of which King seeds throughout this novel). Days later, when Annie goes to town, Paul, who's now in a wheelchair, escapes his locked room and finds a scrapbook with clippings of Annie's hobby: she's a mass-murderer. Up to here, King has gleefully slathered on the tension: now he slams on the shocks as Annie returns swinging an axe and chops off Paul's foot. Soon after, off comes his thumb; when a cop looking for Paul shows up, Annie lawnmowers his head. Burning for revenge, Paul finishes his novel, only to use the manuscript as a weapon against his captor in the ironic, ferocious climax. Although lacking the psychological richness of his best work, this nasty shard of a novel with its weird autobiographical implications probably will thrill and chill King's legion of fans. Note: the publisher plans an unprecedented first printing of one-million copies.
Pub Date: June 8, 1987
ISBN: 0451169522
Page Count: 356
Publisher: Viking
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: May 15, 1987
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BOOK TO SCREEN
adapted by Lise Lunge-Larsen & Margi Preus ‧ RELEASE DATE: March 1, 1999
Lunge-Larsen and Preus debut with this story of a flower that blooms for the first time to commemorate the uncommon courage of a girl who saves her people from illness. The girl, an Ojibwe of the northern woodlands, knows she must journey to the next village to get the healing herb, mash-ki- ki, for her people, who have all fallen ill. After lining her moccasins with rabbit fur, she braves a raging snowstorm and crosses a dark frozen lake to reach the village. Then, rather than wait for morning, she sets out for home while the villagers sleep. When she loses her moccasins in the deep snow, her bare feet are cut by icy shards, and bleed with every step until she reaches her home. The next spring beautiful lady slippers bloom from the place where her moccasins were lost, and from every spot her injured feet touched. Drawing on Ojibwe sources, the authors of this fluid retelling have peppered the tale with native words and have used traditional elements, e.g., giving voice to the forces of nature. The accompanying watercolors, with flowing lines, jewel tones, and decorative motifs, give stately credence to the story’s iconic aspects. (Picture book/folklore. 4-8)
Pub Date: March 1, 1999
ISBN: 0-395-90512-5
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
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