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THE FIRSTBORN

HOUSE OF HEAVENTREE: BOOK 1

An earnest, if sometimes heavy-handed, Christian allegory about faith and the modern world.

Two teens make their way through a post-apocalyptic future world in Seitz’s YA series starter.

In this first installment in the House of Heaventree saga, 15-year-old Flare Flanagan and her 14-year-old brother, Cornelius, are misfits in a hypertechnological future world in which Great Storms once disrupted all satellite and electronic technology for over a year. Since then, society has been almost entirely subsumed by a gigantic company called the Global Operational Datalink, which has taken over most of the world through its communication monopoly: “It was a satellite that controlled all communications—wePhones, wePads, computers, internet, gaming,” explains the omniscient narrator. “It was supposed to be free, but nothing comes without a price.” Everybody now has an electronic chip implanted in their foreheads for instantaneous connection with the Datalink, governed by the “Herod clause,” which grants the Global Union ownership of all users’ firstborn children. Cornelius and Flare’s parents refuse to do this, thus making their children immediately identifiable outcasts, although they try to wear their hair over their foreheads to disguise their status. The pair also attend the House of Heaventree, a Christian preparatory school that aims to make its charges “physically fit, mentally fit, and most importantly, spiritually fit to handle any test of faith.” Seitz handles the work’s straightforward Christian allegory with enough skill and energy to head off any predictability. The interplay between the Flanagan children and their schoolmates at Heaventree is well rendered, and although the benefits of Cornelius’ encyclopedic recall of the Bible results in some rather on-the-nose quotations, Seitz manages to create a good balance between the Christian subtext and the bleak future setting. Religious readers are likely to find this work congenial and faith-affirming.

An earnest, if sometimes heavy-handed, Christian allegory about faith and the modern world.

Pub Date: Nov. 9, 2021

ISBN: 978-0-578-32072-4

Page Count: 162

Publisher: Water Books

Review Posted Online: Sept. 12, 2022

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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