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THE SHAKESPEARE RIOTS

REVENGE, DRAMA, AND DEATH IN NINETEENTH-CENTURY AMERICA

First-rate social and theatrical history combined with a dash of Shakespearian critical appreciation: a noteworthy story.

From British journalist Cliff, a lapidary chronicle of a drama turned deadly: the 1849 brawl in front of the New York’s Astor Place Theater that resulted in more than 20 deaths.

The immediate cause assigned to the mayhem was conflict between the robust American style of performing Shakespeare and the daintier English approach. But there was more to it, Cliff demonstrates in his debut. The works of the Bard were part of America’s popular culture, familiar to all. Favored performers boasted fans to rival those of any modern day rap or rock artist. Forceful American Edwin Forrest, “The Native Tragedian,” was a studly heartthrob. Acutely sensitive Englishman William Charles Macready, “The Eminent Tragedian,” practiced more thoughtful interpretation. These dueling thespians appealed to disparate classes in national society. The kid-gloved swells appreciated Macready’s effete English mode of acting, while plebian nativists favored Forrest’s hearty American take. Their fanatical supporters caused the stars, once quite fond of each other, to become acting enemies. In the fateful spring of 1849, as the touring Macready arrived in New York, they scheduled conflicting performances of Macbeth, a signature role for both. Vowing to rout the fancy Englishman and his clique, the city’s feisty Bowery b’hoys and hustlers took to the streets, and the tragedy was played out. Cliff skillfully portrays the successes, failures and feelings of the lead actors, as well as a supporting cast that includes Charles Dickens and rascally dime novelist Ned Buntline. High drama prevails right up to the final curtain.

First-rate social and theatrical history combined with a dash of Shakespearian critical appreciation: a noteworthy story.

Pub Date: April 23, 2007

ISBN: 0-345-48694-3

Page Count: 338

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2007

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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