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WALK THE WILD ROAD

Name: WALK THE WILD ROAD
Author: Nigel Hinton
ISBN: 978-1-4022-4377-6

by Nigel Hinton ‧ RELEASE DATE: Jan. 1, 2011

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After he punches a nobleman’s deserving son, 11-year-old Leo must flee or face prison, so he takes to the road in a Poland being torn apart by the Franco-Prussian War of 1870. Determined to make for the sea and find a way to America, he is joined by artful dodger Tomasz, a likable, streetwise 14-year-old on a quest of his own. Along the way, they encounter their share of misfortune as well as a series of adults, some kindly and helpful, others only interested in taking advantage of the youths. The sense of place and time is strongly conveyed, including poverty, brutal prejudice and an unfair class system. The two main characters are reasonably well developed, and the obstacles they face are never minimized in this coming-of-age tale. But sentence structure rarely varies, colorful imagery that would have lifted it to a higher level is lacking and the plot-driven narrative moves forward at a measured, too-predictable pace. These factors all conspire to keep this from rising above a crowded field. (Historical fiction. 10-14)

Pub Date: Jan. 1, 2011

ISBN: 978-1-4022-4377-6

Page Count: 288

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Dec. 25, 2010

Kirkus Reviews Issue: Nov. 15, 2010

Categories:

CHILDREN'S HISTORICAL FICTION

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THE SEVENTH MOST IMPORTANT THING

by Shelley Pearsall ‧ RELEASE DATE: Sept. 8, 2015

Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)

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Traumatized by his father’s recent death, a boy throws a brick at an old man who collects junk in his neighborhood and winds up on probation working for him.

Pearsall bases the book on a famed real work of folk art, the Throne of the Third Heaven, by James Hampton, a janitor who built his work in a garage in Washington, D.C., from bits of light bulbs, foil, mirrors, wood, bottles, coffee cans, and cardboard—the titular seven most important things. In late 1963, 13-year-old Arthur finds himself looking for junk for Mr. Hampton, who needs help with his artistic masterpiece, begun during World War II. The book focuses on redemption rather than art, as Hampton forgives the fictional Arthur for his crime, getting the boy to participate in his work at first reluctantly, later with love. Arthur struggles with his anger over his father’s death and his mother’s new boyfriend. Readers watch as Arthur transfers much of his love for his father to Mr. Hampton and accepts responsibility for saving the art when it becomes endangered. Written in a homespun style that reflects the simple components of the artwork, the story guides readers along with Arthur to an understanding of the most important things in life.

Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)