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THE MARCHMAN

Scotland is barely saved from England's grasping Tudor monarchs as Tranter (The Riven Realm, 1985, etc.), a popular chronicler of Scottish history, tells the engaging story of John Maxwell, the young Warden of the Borderlands who routed the English, advised his monarch, and married for love. Two hundred years after the Scots defeat the English at Bannockburn, Scotland faces another invasion as Henry VIII sends an army north. The Scots, led by their king's favorite, Oliver Sinclair, are humiliatingly defeated in 1542 at Solway Moss, and James V dies shortly thereafter—to be succeeded by his infant daughter Mary, whose French mother will act as regent. This war, as well as the turbulent years that follow, is seen through the eyes of John Maxwell, whose father is the hereditary Warden of the West March. Young John fights with distinction at Solway, where his wise counsel and canny leadership are instantly recognized. He later marries Agnes Herries, the spirited daughter of another Warden, and is soon embroiled in matters of statecraft and war as Scotland struggles to keep its independence. In England, meanwhile, Henry VIII dies, but his successors—son Edward, daughter ``Bloody'' Mary, and Protestant Elizabeth—also covet Scotland. In set pieces that range from spectacular battles and royal festivities to unruly meetings of the Scottish parliament, John deftly leads his bands of dalesmen and moss-troopers to victory; meets with the English to settle border disputes; and is asked by the now adult Mary, Queen of Scots, to talk secretly with the plotting English and convey the message to Queen Elizabeth that she will choose her own husband. A natural survivor, John dies in 1594, ``the longest holder of the office on record.'' Tranter's modest hero, a ``Braveheart'' of his time, offers a detailed, accessible take on life north of the border as armies and ideas clash, and monarchs and courtiers plot.

Pub Date: Nov. 1, 1997

ISBN: 0-340-65994-7

Page Count: 374

Publisher: Hodder & Stoughton/Trafalgar

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1997

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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