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SURPRISE! SURPRISE!

While repeated readings won’t offer surprise, squeals of laughter are assured.

The story opens with the trope of a longed-for child and has as many twists as a pig’s tail.

White Mrs. Tati echoes numerous folk-tale characters when she cries, “I wish we had a sweet little baby!” and in the story’s first twist, white Mr. Tati searches for one at a Baby Shop. After learning they sell baby supplies but not babies, he encounters a street pig vendor and impulsively buys one on his way home. Mrs. Tati is delighted. They name him Potter and raise him like a baby, clothing him, feeding him with a bottle, wearing him in a baby-carrier, and letting him sleep in their bed. When he’s ready for school they outfit him with new clothes and supplies, and he’s depicted as bipedal and utterly anthropomorphic. Nevertheless, the headmistress says the school isn’t for pigs, and despite initial disappointment, the Tatis let Potter lead a piggish life of playing in mud, sleeping outside in hay, and eschewing clothing. Potter seems pleased, but Mrs. Tati still wishes he were a child who looked like them, and digital illustrations show a vision of Potter’s Pinocchio-like transformation into a real boy. After he reiterates his wife’s wish to the stars, Mr. Tati effects his own surprising transformation and hers—when they become pigs like their beloved Potter.

While repeated readings won’t offer surprise, squeals of laughter are assured. (Picture book. 3-6)

Pub Date: May 14, 2017

ISBN: 978-1-910959-99-2

Page Count: 28

Publisher: Otter-Barry

Review Posted Online: March 14, 2017

Kirkus Reviews Issue: April 1, 2017

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GOOD NIGHT, LITTLE BLUE TRUCK

A sweet reminder that it’s easy to weather a storm with the company and kindness of friends.

Is it a stormy-night scare or a bedtime book? Both!

Little Blue Truck and his good friend Toad are heading home when a storm lets loose. Before long, their familiar, now very nervous barnyard friends (Goat, Hen, Goose, Cow, Duck, and Pig) squeeze into the garage. Blue explains that “clouds bump and tumble in the sky, / but here inside we’re warm and dry, / and all the thirsty plants below / will get a drink to help them grow!” The friends begin to relax. “Duck said, loud as he could quack it, / ‘THUNDER’S JUST A NOISY RACKET!’ ” In the quiet after the storm, the barnyard friends are sleepy, but the garage is not their home. “ ‘Beep!’ said Blue. ‘Just hop inside. / All aboard for the bedtime ride!’ ” Young readers will settle down for their own bedtimes as Blue and Toad drop each friend at home and bid them a good night before returning to the garage and their own beds. “Blue gave one small sleepy ‘Beep.’ / Then Little Blue Truck fell fast asleep.” Joseph’s rich nighttime-blue illustrations (done “in the style of [series co-creator] Jill McElmurry”) highlight the power of the storm and capture the still serenity that follows. Little Blue Truck has been chugging along since 2008, but there seems to be plenty of gas left in the tank.

A sweet reminder that it’s easy to weather a storm with the company and kindness of friends. (Picture book. 3-6)

Pub Date: Oct. 22, 2019

ISBN: 978-1-328-85213-7

Page Count: 32

Publisher: HMH Books

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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