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LILITH

Quick and imaginative, this is an engaging feminist revision of the ancient world’s Abrahamic religions.

In the tradition of Anita Diamant’s The Red Tent (1997), this is a feminist take on biblical and ancient history through the eyes of Lilith, Adam’s first wife, who, according to some accounts, preceded Eve.

As the book opens, Lilith adores Adam, but before long she has many complaints about him, including bossiness and lack of imagination. A disgruntled immortal, she’s soon on a quest to find her goddess mother, Asherah. In the lush language that characterizes the novel, she describes her airborne view as she escapes the Garden of Eden: “Prairies of swaying grass as far the eye can see. Frozen northlands, the very sea turned to tumbling ice….To the south: dense, boiling jungles that steamed when it rained.” She traverses continents across thousands of years. She spends time with Noah and his offspring, detailing the man’s unpleasantness and her conflicts with his wife, as well as with less familiar biblical and mythological ancestors. Lilith has mortal qualities—she gives birth and loses a son to death—and grieves like a human. But like an immortal, she trucks with gods and goddesses, couples with the angel of death, visits the underworld, and travels through ancient cultures, immersing herself in their mythology, with her anger always close at hand. Although her female-centric vision makes a compelling throughline, there isn’t much philosophizing; this book is all action. It poses the question of why God is male in Judaism, Christianity, and Islam. As demonstrated by historical notes at the end of the book, Marmery has researched religious traditions and ancient cultures to create a sweeping fairy tale, synthesizing all this material so Lilith’s multimillennia romp holds together as one story.

Quick and imaginative, this is an engaging feminist revision of the ancient world’s Abrahamic religions.

Pub Date: Oct. 17, 2023

ISBN: 9781639105717

Page Count: 336

Publisher: Alcove Press

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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