As captivating as it is important, a lovely and essential tribute to the transformation wrought by parenthood.
A halcyon love letter from mothers for the children who transformed their bodies.
This epistolary piece begins with the dream of motherhood as a snoozing woman envisions her future with ruminative anticipation. Flash forward slightly, and Calatzis’ illustrations follow a racially and culturally diverse group of pregnant people as they anticipate what’s to come. Depicted (rather refreshingly) as hard work, labor ushers forth a new era, and these women become parents, mothers for whom love, possibility, and growth—physical and otherwise—abound. Powers’ thesis is a simple one—the child makes the mother, but it’s the latter who carries embodied proof of the life they’ll go on to share. The birthing parents cue largely female, and while a stretch-marked stomach makes a notable appearance, C-section scarring does not. Still, the identities and bodies rendered throughout prove thoughtfully, thoroughly diverse otherwise. The result not only offers context for the physical experience of motherhood— “wrinkles, sags, grays, / new markings to cherish”—but also provides a template for the kind of authentic self-love that only inclusive visibility can cultivate. Picture books about parenthood are plentiful, but few capture the corporeal experience with comparable care. Calatzis’ artwork, a stunning combination of collage and embroidery, underscores the act of making as being intentional and effortful, an aesthetic message deeply compatible with Powers’ thoughtful, empowering text.
As captivating as it is important, a lovely and essential tribute to the transformation wrought by parenthood. (Picture book. 4-8)Pub Date: Dec. 9, 2025
ISBN: 9781536230062
Page Count: 40
Publisher: Walker US/Candlewick
Review Posted Online: July 19, 2025
Kirkus Reviews Issue: Aug. 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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