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THE BOY I LOVE

While not romantic, Wren and Tim’s relationship becomes another powerful iteration of the book’s message that “[l]ove is...

Wren’s infatuation with handsome charmer Tim takes on an unexpected emotional depth after Tim reveals that he is gay.

Their friendship blossoms as she becomes a fiercely loyal defender of his secret, while he offers her emotional support during her family’s financial struggles. The novel’s premise initially feels like a traditional trope: Two best friends transfer to a new school where romance and varying degrees of social acceptance strain their friendship. But Wren’s voice transforms the potential teen dramafest into a nuanced reflection on gaining independence through the pursuit of individual interests and demonstration of concern for the well-being of others. Wren displays an uncanny ability to say just the right thing to comfort Tim during dark moments, a skill many readers will envy. And her very public loyalty to Tim is admirable. Yet Wren is far from perfect, occasionally privately revealing she still longs for a romance with Tim or feels jealous of his relationship with a football player, though she knows these feelings are unfair. Admissions like these ensure Wren is a dynamic character, not just a literary edifying device. Thoughtful parallels between discrimination based on race and sexual orientation are also skillfully interwoven.

While not romantic, Wren and Tim’s relationship becomes another powerful iteration of the book’s message that “[l]ove is love,” and all loves deserve respect .(Fiction. 12-18)

Pub Date: Sept. 2, 2014

ISBN: 978-1-4424-8056-8

Page Count: 288

Publisher: Atheneum

Review Posted Online: June 29, 2014

Kirkus Reviews Issue: July 15, 2014

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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