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MEET ME AT THE RIVER

A must-read

With a deft hand, de Gramont easily convinces the most skeptical of readers that the depth of Tressa’s and her boyfriend Luke’s emotions can enable a few fleeting, and frustratingly incomplete, moments of connection for them during the year following his tragic death.

One of this riveting novel’s most astonishing qualities is that it features a spectral character but avoids the clichés of many modern paranormal romances; it is instead a largely realistic tale of grief and healing. Rather than offering impossible hopes for a continued post-death romance, the imperfections of Tressa and Luke’s phantom connection—they can neither speak about the present nor feel each other’s touches—is a continual painful reminder of all that they have lost. And while Luke’s visits are a testament to their profound love, they are also an agonizingly slow goodbye and a hesitant step toward moving through their shared grief. De Gramont torments readers with flashbacks similar to Melina Marchetta’s Jellicoe Road (2008), in which the knowledge that a character’s death is inevitable heightens, rather than assuages, readers’ dread as Luke’s final doomed moments are slowly revealed. The novel should come with a disclaimer that readers who are shy about public sobbing should avoid cracking this one open on public transportation, in waiting rooms or during classroom silent sustained reading times.

A must-read . (Fiction. 12 & up)

Pub Date: Oct. 15, 2013

ISBN: 978-1-4169-8014-8

Page Count: 384

Publisher: Atheneum

Review Posted Online: Aug. 2, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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BETTER THAN THE MOVIES

Exactly what the title promises.

A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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