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YOUNG BLOOMSBURY

THE GENERATION THAT REDEFINED LOVE, FREEDOM, AND SELF-EXPRESSION IN 1920S ENGLAND

This compact history proves that the lived experiences of our elders are essential resource for succeeding generations.

A queer history of the infamous Bloomsbury Group and their young acolytes.

In the 21st century, where ENM is used as an acronym for ethical nonmonogamy, it may be strange to think there was a time and place where people had to hide their sexual preferences and the people they loved. Of course, while much has changed for the better, so too has homophobia and discrimination been emboldened in recent years, especially against trans people. This is, in part, what motivated Strachey (a descendant of Bloomsbury’s own Lytton Strachey) to write this book. The author insightfully analyzes the substance of Bloomsbury’s social network, how their lives intertwined as a kind of queer chosen family, and how they adapted to heteronormative expectations while remaining true to their desires and identities. With short chapters written in lucid prose, this is a dream to read for those interested in queer history, and Strachey treats the colorful drama of her subject’s lives with tact. The most delightful surprise here is learning that some of the most beloved pillars of early 20th-century Anglophone culture—e.g., Virginia Woolf, E.M. Forster, and Lytton Strachey—were not above using their literary gifts for catty missives about their fellow creatives or paramours or roommates (or some magical commingling of all three categories). Queerness has been a social constant through the ages. What’s significant about this meeting of old and young Bloomsbury is how queer cultural knowledge has been exchanged from one generation to the next and how vital that transmission remains. A mistake the young make is assuming their antecedents have nothing left to contribute to an ever shifting present. On the contrary, the brilliant works produced by the luminaries of young Bloomsbury would not have happened without the nurture of old Bloomsbury. Strachey demonstrates this truth with aplomb.

This compact history proves that the lived experiences of our elders are essential resource for succeeding generations.

Pub Date: Dec. 6, 2022

ISBN: 978-1-982164-76-8

Page Count: 304

Publisher: Atria

Review Posted Online: Sept. 16, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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WHO'S AFRAID OF GENDER?

A master class in how gender has been weaponized in support of conservative values and authoritarian regimes.

A deeply informed critique of the malicious initiatives currently using gender as a political tool to arouse fear and strengthen political and religious institutions.

In their latest book, following The Force of Nonviolence, Butler, the noted philosopher and gender studies scholar, documents and debunks the anti-gender ideology of the right, the core principle of which is that male and female are natural categories whose recognition is essential for the survival of the family, nations, and patriarchal order. Its proponents reject “sex” as a malleable category infused with prior political and cultural understandings. By turning gender into a “phantasmatic scene,” they enable those in positions of authority to deflect attention from such world-destroying forces as war, predatory capitalism, and climate change. Butler explores the ideology’s presence in the U.S., the U.K., Uganda, and Hungary, countries where legislation has limited the rights of trans and homosexual people and denied them their sexual identity. The author also delves into the ideology’s roots among Evangelicals and the Catholic Church and such political leaders as Donald Trump and Viktor Orbán. Butler is particularly bothered by trans-exclusionary radical feminists (TERFs), who treat trans women as “male predators in disguise.” For the author, “the gap between the perceived or lived body and prevailing social norms can never be fully closed.” They imagine “a world where the many relations to being socially embodied that exist become more livable” and calls for alliances across differences and “a radical democracy informed by socialist values.” Butler compensates for the thinness of some of their recommendations with an astute dissection of the ideology’s core ideas and impressive grasp of its intellectual pretensions. This is a wonderfully thoughtful and impassioned book on a critically important centerpiece of contemporary authoritarianism and patriarchy.

A master class in how gender has been weaponized in support of conservative values and authoritarian regimes.

Pub Date: March 19, 2024

ISBN: 9780374608224

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 5, 2023

Kirkus Reviews Issue: Jan. 1, 2024

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