A sincere story about the courage required to be true to oneself that overlooks central historical elements.
Young women in Nazi Germany carve out a space for their untraditional love.
Charlotte Kraus is once again following her crush, Angelika Haas. This time Geli takes them to an underground dance hall filled with American jazz music. This music is one more thing deemed inappropriate for a proper girl in 1930s Berlin—just like girls’ having loose, unbraided hair or wanting to kiss other girls or not being devoted Hitlerjugend members. Spanning the years leading up to and through World War II, the story follows Charlie and her small group of friends as they are coming into young adulthood. Minna is Jewish and scared for her family. Renate, who is deaf in one ear, prefers wearing boys clothing and drops out of school; hiding her disability is critical. Geli is the daughter of an SS officer. And while Charlie wants to continue her schooling, she’s not on the university entrance track and is expected to work. Tyndall has composed a moving, ardent narrative of the Swingjugend, or swing youth, that readers will at times find prescient as they consider recent events. Oddly, however, given that the characters live in a society dominated by race theory, the music’s origins in Black American culture go unmentioned, and the anti-Blackness at the heart of Nazi hostility toward jazz and swing is erased, subsumed under generic statements that “anything not German is degenerate.”
A sincere story about the courage required to be true to oneself that overlooks central historical elements. (Historical fiction. 14-18)Pub Date: Oct. 18, 2022
ISBN: 978-0-06-308744-6
Page Count: 320
Publisher: HarperTeen
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
BOOK REVIEW
BOOK REVIEW
A light and entertaining plot-driven romance.
A Connecticut girl and her best friend devise a series of plans in order to achieve their goals: following a dream and winning back an ex.
Eighteen-year-old Audrey Barbour has a Master Plan: attend Blue Ridge Glass School in North Carolina and someday turn her Etsy shop, Golightly Glass, into a thriving business. But her uber-wealthy parents insist that she instead follow in their footsteps and go to business school. So Audrey decides to go find the tuition money she needs with help from her best friend, Henry Chen. Henry needs a favor, too: He hopes that fake dating Audrey will help him win back his ex-girlfriend, and he points out to a reluctant Audrey that this could make her crush, Griffin, notice her. While Audrey’s parents vacation in France for three weeks, the pair rent out the Barbour mansion on the Long Island Sound. Soon romantic chemistry grows alongside their business partnership. Despite the pair’s great preparation and an abundance of secondary characters with connections and talents to help pull off their increasingly ambitious ideas, plans go awry, leaving Audrey and Henry scrambling and second-guessing their choices. The pacing is even, but the characters often take a back seat to the whirlwind of activity that drives the plot, with the emphasis falling on each person’s practical skills and their role in keeping the action moving over their emotional bonds. Audrey is white, and Henry’s surname cues him as Chinese American.
A light and entertaining plot-driven romance. (Romance. 14-18)Pub Date: March 31, 2026
ISBN: 9780593904794
Page Count: 384
Publisher: Delacorte Romance
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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