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LOOKING FOR TRANSWONDERLAND

Name: LOOKING FOR TRANSWONDERLAND
Author: Noo Saro-Wiwa
ISBN: 978-1-61902-007-8

TRAVELS IN NIGERIA

by Noo Saro-Wiwa ‧ RELEASE DATE: Oct. 9, 2012

A vigorous, scathing look at Nigeria then and now.

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A Nigerian-born English journalist makes peace with the land that killed her father.

Ken Saro-Wiwa was a Nigerian nonviolent political activist campaigning against government corruption and environmental degradation when he was falsely accused by the military regime and executed in 1995. His daughter Noo, a twin to her sister, Zina, born in 1976 and educated in England and the United States, maintained a mostly antagonistic relationship toward the land of her Ogoni parents, who sent the children on summer holidays back to the family compound where the heat, disorder, lack of running water and electricity consumed the author with dread. Now a young woman self-admittedly spoiled by the amenities of English life, the author allows her love-hate relationship with Nigeria to flavor this thoughtful travel journal, lending it irony, wit and frankness, yet also an undertone of bitterness. Starting in Lagos, staying at the home of her mother’s friend, she was overwhelmed by the noise and tumult of the city, teeming with 300-odd ethnic groups that were miraculously not worn down by quotidian inconveniences such as five-hour commutes, poorly paid jobs ($2 at most per day) and a constant need for haggling and hustling to make ends meet. Indeed, a Pentecostal faith inspired many Nigerians, rendering them by one account the happiest people in the world. From Lagos, “feral and impenetrable,” Saro-Wiwa trekked through Nigerian land and history, to the university town of Ibadan, the modern urban metropolis of Abuja, Kano and the Islamic northern recesses, national parks and nature preserves, civic-minded Calabar and formerly glorious Benin, before facing the “tense oil-city” and difficult childhood memories of Port Harcourt.

A vigorous, scathing look at Nigeria then and now.

Pub Date: Oct. 9, 2012

ISBN: 978-1-61902-007-8

Page Count: 272

Publisher: Soft Skull Press

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.