Still, a vivid, thoughtful book that earns the reader’s attention and respect. And the story of Los Alamos cannot be told...
Three hopeful souls from different worlds hesitantly confront their destinies in Californian Gallagher’s earnest, carefully patterned debut.
The setting is the New Mexico desert during the summer of 1945, when the top secret Los Alamos project undertakes to adapt fissionable material to create a bomb capable of ending the World War II. Czech scientist Leo Kavan, motivated by fears for the safety of his sister Lotte (a concentration camp victim), wanders distractedly away from the Project’s confines following an accident in which his best friend received a lethal exposure to radiation. Gifted painter Eleanor Garrigue, retreating from her loveless marriage into the arms of a dictatorial older man, luxuriates in the revivifying, stimulating beauty of her chosen new home—and offers it as sanctuary to the injured stranger (Leo) she encounters nearby, waiting patiently to learn his name and history. And local priest Bill Taylor cherishes his secret love for Eleanor, a love his duties prevent him from declaring. Gallagher shifts the focus among this trio’s present interrelations and separate stories, also sketching in a capsule history of 20th-century research science and introducing such crucially involved characters as Leo’s colleagues and superiors, Eleanor’s pragmatic cleaning woman Griefa and Los Alamos insider David Stein, whose motivation—and loyalties—remain enigmatic until the final pages. This commendably ambitious novel is insistently readable, energized by lush descriptions of southwestern vistas and efficiently dramatized historical materials. But its character portrayal is uneven (Bill Taylor is barely a presence until very late in the book) and the degree to which its principals embody the spheres of science, religion and art is much too neat. The dénouement, in which Leo “escapes” to warn the world of the dangers being unleashed, comes perilously close to being a pacifist tract.
Still, a vivid, thoughtful book that earns the reader’s attention and respect. And the story of Los Alamos cannot be told too often.Pub Date: Feb. 13, 2007
ISBN: 0-375-42451-2
Page Count: 240
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.
Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.
Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.Pub Date: April 10, 2018
ISBN: 978-1-5011-2801-1
Page Count: 416
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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