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CHANGING LIGHT

Still, a vivid, thoughtful book that earns the reader’s attention and respect. And the story of Los Alamos cannot be told...

Three hopeful souls from different worlds hesitantly confront their destinies in Californian Gallagher’s earnest, carefully patterned debut.

The setting is the New Mexico desert during the summer of 1945, when the top secret Los Alamos project undertakes to adapt fissionable material to create a bomb capable of ending the World War II. Czech scientist Leo Kavan, motivated by fears for the safety of his sister Lotte (a concentration camp victim), wanders distractedly away from the Project’s confines following an accident in which his best friend received a lethal exposure to radiation. Gifted painter Eleanor Garrigue, retreating from her loveless marriage into the arms of a dictatorial older man, luxuriates in the revivifying, stimulating beauty of her chosen new home—and offers it as sanctuary to the injured stranger (Leo) she encounters nearby, waiting patiently to learn his name and history. And local priest Bill Taylor cherishes his secret love for Eleanor, a love his duties prevent him from declaring. Gallagher shifts the focus among this trio’s present interrelations and separate stories, also sketching in a capsule history of 20th-century research science and introducing such crucially involved characters as Leo’s colleagues and superiors, Eleanor’s pragmatic cleaning woman Griefa and Los Alamos insider David Stein, whose motivation—and loyalties—remain enigmatic until the final pages. This commendably ambitious novel is insistently readable, energized by lush descriptions of southwestern vistas and efficiently dramatized historical materials. But its character portrayal is uneven (Bill Taylor is barely a presence until very late in the book) and the degree to which its principals embody the spheres of science, religion and art is much too neat. The dénouement, in which Leo “escapes” to warn the world of the dangers being unleashed, comes perilously close to being a pacifist tract.

Still, a vivid, thoughtful book that earns the reader’s attention and respect. And the story of Los Alamos cannot be told too often.

Pub Date: Feb. 13, 2007

ISBN: 0-375-42451-2

Page Count: 240

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2006

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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