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FREE RIDE

HEARTBREAK, COURAGE, AND THE 20,000-MILE MOTORCYCLE JOURNEY THAT CHANGED MY LIFE

Heartwarming inspiration for readers seeking adventure.

Back in the saddle.

In her debut memoir, adventurer biker Schoenmaker, creator of the popular YouTube channel Itchy Boots, shares details of her original transcontinental motorcycle journey from India to the Netherlands. In 2018, after a relationship ended, Schoenmaker sold her house, quit her job as a geologist, and booked a one-way ticket to India with the goal of becoming a travel blogger. However, after experiencing little success, Schoenmaker decided she needed a new plan. Missing the Ducati she sold prior to her trip, she purchased a new bike—this time a Royal Enfield Himalayan, which she christened “Basanti” after the heroine from the 1975 classic Indian film Sholay. With her newfound freedom, Itchy Boots was born. As Schoenmaker contends, “Now I was trying to make traveling my job. But even more than that, I wanted to create and tell visual stories about people and places that not everyone knew.” While Schoenmaker does include some details regarding the landscape and culture of the locations she traversed, her memoir focuses primarily on the ongoing difficulties she experienced with her motorcycle, which may be disappointing for readers who are familiar with her more culturally focused and visually appealing YouTube videos. What her book does offer is a glimpse into the generous nature of strangers who came to her assistance throughout her travels, particularly in those regions that many consider unsafe. As Schoenmaker reflects during the journey, “I’d lost count of the number of people who had helped me without question, refusing my offers of payment, and was overcome by a sense of shame. When was the last time I had given a stranger that much help and love without expecting anything in return?”

Heartwarming inspiration for readers seeking adventure.

Pub Date: June 3, 2025

ISBN: 9781668092491

Page Count: 288

Publisher: Atria

Review Posted Online: April 4, 2025

Kirkus Reviews Issue: May 1, 2025

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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CALYPSO

Sedaris at his darkest—and his best.

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In which the veteran humorist enters middle age with fine snark but some trepidation as well.

Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.

Sedaris at his darkest—and his best.

Pub Date: May 29, 2018

ISBN: 978-0-316-39238-9

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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