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THE ECSTASY

John’s hefty novel may remind some, in a weird warp-speed way, of the kitsch-TV classic The Love Boat, even though the...

Anything can happen—murder, deep-space sabotage, and lots and lots of sex—aboard the 23rd-century interplanetary luxury liner The Ecstasy during its Earth-to-Saturn cruise.

John’s hefty novel may remind some, in a weird warp-speed way, of the kitsch-TV classic The Love Boat, even though the author, in a “Special Thanks” section, credits such wide-ranging influences as Kurt Vonnegut, Joseph Heller, Douglas Adams and Tom Robbins (plus some PC-game designers). The setting is 2258 A.D., as the Dutch-registered luxury cruise spaceship Ecstasy embarks on an Earth-to-Saturn run with 5,000 tourists and crew members (including an onboard defense force). The great ship accommodates manifold interests in its social clubs and amusement/shopping arcades. But sex seems paramount—whether it’s stalwart Capt. Phil Sherwood’s wife’s ongoing fling with an alien or unchaperoned teens determined to copulate in every corner of the craft (the ship also boasts a legendary in-house prostitute, Zena). Intrigue, drama and mystery come in varied doses: the assassination of a Swedish VIP, obsessed stalkers, a minor cancer scare for a female passenger (the latter easily solved by future medicine). But the main...thrust...is a conspiratorial computer program (called a “sub-routine”) deep within the ship’s operating system that sends The Ecstasy on a seemingly uncontrollable, hypervelocity journey into the unknown, far past Pluto. The program is modeled after an orgasm. Yes it is. The work’s length, scope and detail are impressive, even when some parts seem like unwelcome stowaways (e.g., episodes of occult magic include a mystic, materializing Templar Knight). And these 23rd-century folk seem unusually stuck in the pop culture of the 20th-century’s baby boomers; references include cable TV’s Ancient Aliens, traveling Route 66, Barry White as an aphrodisiac, and authors Stephen King and L. Ron Hubbard. On that Dianetical note, a loathsome character specified as a critic of Scientology gets a summary execution verdict and is shoved out of the airlock. A lengthy epilogue/analysis dominates the last 100 pages, pondering the age of consent and incest and blaming much of past society’s ills on psychiatry. “Julie, your Cruise Director” mates with Barbarella, in more ways than one.

Pub Date: April 24, 2013

ISBN: 978-1482561739

Page Count: 822

Publisher: CreateSpace

Review Posted Online: Jan. 2, 2015

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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BETWEEN TWO FIRES

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.

The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Pub Date: Oct. 2, 2012

ISBN: 978-1-937007-86-7

Page Count: 432

Publisher: Ace/Berkley

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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