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THE ECSTASY

John’s hefty novel may remind some, in a weird warp-speed way, of the kitsch-TV classic The Love Boat, even though the...

Anything can happen—murder, deep-space sabotage, and lots and lots of sex—aboard the 23rd-century interplanetary luxury liner The Ecstasy during its Earth-to-Saturn cruise.

John’s hefty novel may remind some, in a weird warp-speed way, of the kitsch-TV classic The Love Boat, even though the author, in a “Special Thanks” section, credits such wide-ranging influences as Kurt Vonnegut, Joseph Heller, Douglas Adams and Tom Robbins (plus some PC-game designers). The setting is 2258 A.D., as the Dutch-registered luxury cruise spaceship Ecstasy embarks on an Earth-to-Saturn run with 5,000 tourists and crew members (including an onboard defense force). The great ship accommodates manifold interests in its social clubs and amusement/shopping arcades. But sex seems paramount—whether it’s stalwart Capt. Phil Sherwood’s wife’s ongoing fling with an alien or unchaperoned teens determined to copulate in every corner of the craft (the ship also boasts a legendary in-house prostitute, Zena). Intrigue, drama and mystery come in varied doses: the assassination of a Swedish VIP, obsessed stalkers, a minor cancer scare for a female passenger (the latter easily solved by future medicine). But the main...thrust...is a conspiratorial computer program (called a “sub-routine”) deep within the ship’s operating system that sends The Ecstasy on a seemingly uncontrollable, hypervelocity journey into the unknown, far past Pluto. The program is modeled after an orgasm. Yes it is. The work’s length, scope and detail are impressive, even when some parts seem like unwelcome stowaways (e.g., episodes of occult magic include a mystic, materializing Templar Knight). And these 23rd-century folk seem unusually stuck in the pop culture of the 20th-century’s baby boomers; references include cable TV’s Ancient Aliens, traveling Route 66, Barry White as an aphrodisiac, and authors Stephen King and L. Ron Hubbard. On that Dianetical note, a loathsome character specified as a critic of Scientology gets a summary execution verdict and is shoved out of the airlock. A lengthy epilogue/analysis dominates the last 100 pages, pondering the age of consent and incest and blaming much of past society’s ills on psychiatry. “Julie, your Cruise Director” mates with Barbarella, in more ways than one.

Pub Date: April 24, 2013

ISBN: 978-1482561739

Page Count: 822

Publisher: CreateSpace

Review Posted Online: Jan. 2, 2015

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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RED RISING

From the Red Rising Trilogy series , Vol. 1

A fine novel for those who like to immerse themselves in alternative worlds.

Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.

In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.

A fine novel for those who like to immerse themselves in alternative worlds.

Pub Date: Jan. 28, 2014

ISBN: 978-0-345-53978-6

Page Count: 400

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 2, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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