by Norman L. Macht ‧ RELEASE DATE: Sept. 24, 2007
A compelling look at a legend and an era.
Comprehensive and interesting portrait of one of baseball’s most successful managers.
Born Cornelius McGillicuddy in East Brookfield, Mass., Connie Mack (1862–1956) devoted his life to the fledgling sport of professional baseball. Despite a slender frame, Mack excelled as a catcher, his defensive skills more than compensating for his less-than-stellar abilities with the bat. He was capable enough to move from a local amateur team to a salaried spot with the Meriden team in the Connecticut State League. He played for the Washington Nationals of the National League and experimented with a Player’s League before taking his first executive post as manager of the Pittsburgh Pirates. Fired by the Pirates, he moved to the Milwaukee Brewers and assumed a leadership role in every level of club management, from scouting to scheduling to in-game decisions, experience that would aid him later in his career. Hailed as an innovator, Mack employed such revolutionary tactics as the use of multiple pitchers during a game. His skills eventually took him to the Philadelphia Athletics, a team he led to five World Series victories. (In all of baseball history, only the Yankees, Red Sox and Cardinals have ever surpassed this total.) Veteran baseball historian Macht (Roberto Clemente, 2001, etc.) paints an interesting portrait of the sport at the turn of the 20th century, dispelling the myth that players endured the season’s marathon length and frequent, potentially crippling injuries only because they so loved the game. Then as now, he points out, money motivated them as much as anything else. Macht capably traces the evolution of baseball’s rules and customs over the years, while also revealing that the players’ behavior (for better or worse) closely approximated that of the athletes today. Some 700 pages take us only to 1914, but the book is so detailed that it makes fascinating reading despite its length.
A compelling look at a legend and an era.Pub Date: Sept. 24, 2007
ISBN: 978-0-8032-3263-1
Page Count: 736
Publisher: Univ. of Nebraska
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2007
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by Bonnie Tsui ‧ RELEASE DATE: April 14, 2020
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Bonnie Tsui
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by Bonnie Tsui ; illustrated by Sophie Diao
BOOK REVIEW
by Bonnie Tsui
by Leanne Shapton ‧ RELEASE DATE: July 5, 2012
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
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