Norman Mailer, rechristened No'min, takes on the heart of Blackness in darkest Africa as he plunges into the vital spirits of Muhammad Ali and George Foreman in their recent Heavyweight title clash in Zaire (once the huge protectorate of the Congo), and comes up a winner. What No'min wins may not be definable outside an Occult Prose seminar, but it has something to do with Bantu mysticism as exemplified in Ali the Lip's supreme professorship of the art of pugilism and Foreman's gigantic serenity of lionesque rage. Truly, No'min's hypnoprose works wonders at engaging our interest and transubstantiating it into an awe commensurate with the bash's press coverage, a five-million-dollar gate, and worldwide TV attention. Indeed, the book at its weird best has something of the inner control of Conrad steaming upriver through fogs of Black emotion, Black psychology and Black love—though all is admittedly "a quintessentially comic quest. Boxers were liars. Champions were great liars." Nor is that great boxing expert in the Beyond and author of Green Hills of 33 Africa ever far from No'min's bag of conjuries. By fight time the reader has been artfully hoodooed into expecting more from the match than anyone but Mailer saw in it—and amazingly delivers. Mailer's mask as narcissistic clown is cut down to a caper or two; instead he divides our hearts between Ali and Foreman. Surely Papa is at last sending down his personal vibration to No'min: "Well and truly done, my son. Go in peace to the bar."
Pub Date: July 21, 1975
ISBN: 0375700382
Page Count: 244
Publisher: Little, Brown
Review Posted Online: Sept. 28, 2011
Kirkus Reviews Issue: July 1, 1975
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
BOOK REVIEW
BOOK REVIEW
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