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INTIMIDATING SHADES

WHY DOES MY SISTER HATE ME?

A stiff saga of righteousness overcoming a bad seed.

Skin color fuels sibling rivalries in this family melodrama.

Vernon and Verlene Mays, a multiracial couple in DeKalb, Texas, pass on a rainbow of complexions to their four children. Family discord ensues as their eldest daughter Verna, a light-skinned beauty, conceives an intense loathing for her darker, chubbier sister Viola Grace for no clear reason aside from Viola Grace’s unfashionable looks, studiousness and angelic disposition. Verna’s meanness blossoms in high school; she cuts classes, hangs with bad girls and sighs and rolls her eyes at everything her family does. Sounds pretty typical for a teenager, but Verlene, a woman with strict Christian values, is not one to brook a jot of rebelliousness in a child and packs her daughter off to a church boarding school. Verna runs away, taking with her the story’s sole element of trouble and complexity; with her off the stage for many chapters, the novel becomes a staid chronicle of happiness and achievement. Viola does brilliantly in college and medical school and acquires an upstanding surgeon boyfriend; her brother Vernon, Jr. and sister Vernice are also paragons. Verna-less, the family gathers for joyous yuletide celebrations (primly devoid of the “pagan symbolism” of the Christmas tree) where they toast their successes and give thanks to God before rushing out to buy new Bibles. “ ‘God is good all the time, and everything is just fine,’ ” Viola Grace observes in a fitting summary of most of the narrative. It’s a relief when the prodigal Verna finally resurfaces, beaten unconscious, with years of hard living under her belt; the tearful reunions have hardly subsided when a new rivalry develops over Verna’s neglected children, whom Viola Grace has taken in. Verna is an interesting character—bruised, often nasty, aching over her estrangement from her censorious family. Unfortunately, the author disapproves of her as strongly as the other characters do; the story is so intent on deploring Verna and applauding her perfect siblings that we never learn what makes her tick.

A stiff saga of righteousness overcoming a bad seed.

Pub Date: April 1, 2010

ISBN: 978-1-4415-8934-7

Page Count: 188

Publisher: Xlibris

Review Posted Online: July 19, 2010

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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