Risk-taking, ambitious prose: sometimes deeply affecting, sometimes merely affected.

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WHAT BEGINS WITH BIRD

Second collection of stories from National Book Award nominee Holland (The Spectacle of the Body, 1994).

Although specifics vary, the six tales circle around the same set of twisted relationships among a stable older sister who has recently given birth, a younger sister whose life has veered into chaos, the older sister’s passive husband, the sisters’ distant father and their various pets. The title story is narrated by the unnamed older sister, consumed by fear for her healthy newborn child. After the crazy younger sister (also nameless) comes for Easter from her institutional “home,” guilt, distrust, resentment and love ferment until the elder sibling finds release with a small, sharp act of violence. In “Someone Is Always Missing,” a third-person narrator provides the sisters’ names. Libby’s husband, meanwhile, articulates his deep paternal love for his child, his passive rage toward his dominating wife and his fear that he will lose them both, in “Time for the Flat-Headed Man,” written as a speech introducing a visiting writer his wife has brought to town. In “Fairway,” an older man who appears to be the sisters’ aloof father finds his quiet life disrupted by a visit from his youngest daughter. “Coquina” sets an archetypal paranoid male and passive female on an island to begin their married life. Holland pushes her experimental language to its lyrical edge in the final story, “Rooster, Pollard, Cricket, Goose,” which links violence perpetrated upon animals with a young daughter’s sense of abandonment.

Risk-taking, ambitious prose: sometimes deeply affecting, sometimes merely affected.

Pub Date: Nov. 1, 2005

ISBN: 1-57366-125-2

Page Count: 156

Publisher: FC2/Northwestern Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 2005

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers...

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EXHALATION

Exploring humankind's place in the universe and the nature of humanity, many of the stories in this stellar collection focus on how technological advances can impact humanity’s evolutionary journey.

Chiang's (Stories of Your Life and Others, 2002) second collection begins with an instant classic, “The Merchant and the Alchemist’s Gate,” which won Hugo and Nebula awards for Best Novelette in 2008. A time-travel fantasy set largely in ancient Baghdad, the story follows fabric merchant Fuwaad ibn Abbas after he meets an alchemist who has crafted what is essentially a time portal. After hearing life-changing stories about others who have used the portal, he decides to go back in time to try to right a terrible wrong—and realizes, too late, that nothing can erase the past. Other standout selections include “The Lifecycle of Software Objects,” a story about a software tester who, over the course of a decade, struggles to keep a sentient digital entity alive; “The Great Silence,” which brilliantly questions the theory that humankind is the only intelligent race in the universe; and “Dacey’s Patent Automatic Nanny,” which chronicles the consequences of machines raising human children. But arguably the most profound story is "Exhalation" (which won the 2009 Hugo Award for Best Short Story), a heart-rending message and warning from a scientist of a highly advanced, but now extinct, race of mechanical beings from another universe. Although the being theorizes that all life will die when the universes reach “equilibrium,” its parting advice will resonate with everyone: “Contemplate the marvel that is existence, and rejoice that you are able to do so.”

Visionary speculative stories that will change the way readers see themselves and the world around them: This book delivers in a big way.

Pub Date: May 8, 2019

ISBN: 978-1-101-94788-3

Page Count: 368

Publisher: Knopf

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

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