An intriguing work that transcends category, drawing from facts but reading like fiction.
In this coming-of-age memoir, a playwright illuminates the culture of the El Paso border as he perceived it when he was young.
Award-winning playwright Solis explains the genesis of his debut book before proceeding to vignettes of his formative years in a border city. First, the title, as he explains it, refers to “a devotional painting…at once visual and literary, [which] records the transgression, the divine mediation and the offering of thanks in a single frame, thus forming a kind of flash-fiction account of that person’s electrifying, life-altering event.” Thus we have a series of self-contained vignettes, though there are some connecting threads—e.g., family, the mysterious outsider boy known only as “Demon,” and the equally mysterious “Runner,” who may be running to something or from something but never stops to explain himself. Solis describes the stories as “disconnected (and yet thoroughly interconnected, noting that, through memory and reconstruction, “I’m trying to figure myself out. I’m coming to terms with who I am by looking back at what I was.” Inevitably, he deals with identity, as a boy born in America to Mexican parents, with sexual awakening, and with the first stirrings of his literary ambitions. The pieces follow a chronological progression, though with a recognition that border issues and tensions are timeless, that “there will always be those who want to come across and those who want to keep them where they are.” By the time he made his first return from college, he viewed his city, family, and origins with a totally fresh perspective. Within these pieces, he aims for a truth that he admits has been filtered through memory and shaped by selection: “I suppose I am using the poetic voice to convey the authentic.”
An intriguing work that transcends category, drawing from facts but reading like fiction.Pub Date: Oct. 16, 2018
ISBN: 978-0-87286-786-4
Page Count: 176
Publisher: City Lights
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
Unsentimental nature writing that sheds as much light on humans as on eels.
An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.
In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.
Unsentimental nature writing that sheds as much light on humans as on eels.Pub Date: May 5, 2020
ISBN: 978-0-06-296881-4
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
One of the NBA’s 50 greatest players scores another basket—a deeply personal one.
A basketball legend reflects on his life in the game and a life lived in the “nightmare of endlessly repetitive and constant pain, agony, and guilt.”
Walton (Nothing but Net, 1994, etc.) begins this memoir on the floor—literally: “I have been living on the floor for most of the last two and a half years, unable to move.” In 2008, he suffered a catastrophic spinal collapse. “My spine will no longer hold me,” he writes. Thirty-seven orthopedic injuries, stemming from the fact that he had malformed feet, led to an endless string of stress fractures. As he notes, Walton is “the most injured athlete in the history of sports.” Over the years, he had ground his lower extremities “down to dust.” Walton’s memoir is two interwoven stories. The first is about his lifelong love of basketball, the second, his lifelong battle with injuries and pain. He had his first operation when he was 14, for a knee hurt in a basketball game. As he chronicles his distinguished career in the game, from high school to college to the NBA, he punctuates that story with a parallel one that chronicles at each juncture the injuries he suffered and overcame until he could no longer play, eventually turning to a successful broadcasting career (which helped his stuttering problem). Thanks to successful experimental spinal fusion surgery, he’s now pain-free. And then there’s the music he loves, especially the Grateful Dead’s; it accompanies both stories like a soundtrack playing off in the distance. Walton tends to get long-winded at times, but that won’t be news to anyone who watches his broadcasts, and those who have been afflicted with lifelong injuries will find the book uplifting and inspirational. Basketball fans will relish Walton’s acumen and insights into the game as well as his stories about players, coaches (especially John Wooden), and games, all told in Walton’s fervent, witty style.
One of the NBA’s 50 greatest players scores another basket—a deeply personal one.Pub Date: March 8, 2016
ISBN: 978-1-4767-1686-2
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: Dec. 18, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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