A crucial addition to Tokarczuk’s oeuvre.
In a work that harks back to The Magic Mountain, a young Pole seeks treatment for tuberculosis.
In the latest from Nobel Prize–winner Tokarczuk, a young man suffering from tuberculosis seeks respite for his illness at a sanatorium in the Silesian mountains. When Mieczysław Wojnicz finds the resort itself full, he rents a room at the Guesthouse for Gentlemen, a small inn owned by Wilhelm Opitz, where, almost immediately, strange things start to happen: For one thing, Wojnicz starts hearing a cooing sound that seems to emanate from the attic; for another, the local herbal liqueur the men drink in the evenings might be affecting them in not-entirely-natural ways. But the main thrust of this novel, which repeatedly calls to mind Thomas Mann’s Magic Mountain, with which it shares a time period and setting, appears to be located in the debates that spring up between the men at the guesthouse, though Wojnicz rarely participates. “The subjects recurred, vanished and returned,” Tokarczuk writes. “Does man have a soul? Does he always act selfishly? Monarchy or democracy? Is socialism an opportunity for mankind? Can one tell whether a text was written by a man or a woman? Are women responsible enough to be allowed voting rights?” This is the direction in which the debates inevitably lead: the differences between men and women, and the ultimate, inevitable inferiority of women. The book, which is notably lacking in female characters, returns to this topic again and again, in increasingly subtle ways. But gender is just one of the mysteries at play here. Why won’t Wojnicz undress for the doctor? Why does another patient keep warning Wojnicz about violent deaths that supposedly occur at the sanatorium each year? Tokarczuk’s latest work reckons with some of the major intellectual questions of the 20th century while simultaneously spinning a mysterious—and spooky—web of intrigue and suspense.
A crucial addition to Tokarczuk’s oeuvre.Pub Date: Sept. 24, 2024
ISBN: 9780593712948
Page Count: 320
Publisher: Riverhead
Review Posted Online: July 10, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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