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THE EMPUSIUM

A HEALTH RESORT HORROR STORY

A crucial addition to Tokarczuk’s oeuvre.

In a work that harks back to The Magic Mountain, a young Pole seeks treatment for tuberculosis.

In the latest from Nobel Prize–winner Tokarczuk, a young man suffering from tuberculosis seeks respite for his illness at a sanatorium in the Silesian mountains. When Mieczysław Wojnicz finds the resort itself full, he rents a room at the Guesthouse for Gentlemen, a small inn owned by Wilhelm Opitz, where, almost immediately, strange things start to happen: For one thing, Wojnicz starts hearing a cooing sound that seems to emanate from the attic; for another, the local herbal liqueur the men drink in the evenings might be affecting them in not-entirely-natural ways. But the main thrust of this novel, which repeatedly calls to mind Thomas Mann’s Magic Mountain, with which it shares a time period and setting, appears to be located in the debates that spring up between the men at the guesthouse, though Wojnicz rarely participates. “The subjects recurred, vanished and returned,” Tokarczuk writes. “Does man have a soul? Does he always act selfishly? Monarchy or democracy? Is socialism an opportunity for mankind? Can one tell whether a text was written by a man or a woman? Are women responsible enough to be allowed voting rights?” This is the direction in which the debates inevitably lead: the differences between men and women, and the ultimate, inevitable inferiority of women. The book, which is notably lacking in female characters, returns to this topic again and again, in increasingly subtle ways. But gender is just one of the mysteries at play here. Why won’t Wojnicz undress for the doctor? Why does another patient keep warning Wojnicz about violent deaths that supposedly occur at the sanatorium each year? Tokarczuk’s latest work reckons with some of the major intellectual questions of the 20th century while simultaneously spinning a mysterious—and spooky—web of intrigue and suspense.

A crucial addition to Tokarczuk’s oeuvre.

Pub Date: Sept. 24, 2024

ISBN: 9780593712948

Page Count: 320

Publisher: Riverhead

Review Posted Online: July 10, 2024

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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