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A DAY OFF SCHOOL

A winsome be-careful-what-you-wish-for tale.

A story about what doesn’t happen on a sick day.

Herbie, who presents East Asian and rocks a black pudding-bowl haircut, has the sniffles, as well as a secret: When his parents tell him he’s staying home, he’s “really excited. A whole day off school! ALL TO HIMSELF!!” There’s loads to do at his house: Herbie builds a couch-cushion fort, works on his yo-yo tricks, watches cartoons, and more…and is finished with everything on his sick day to-do list by lunchtime. Herbie’s idleness means that he has brain space to think about school: “What if something really good happened there today? Like an EXTRA playtime? Or a DOG loose in the CORRIDORS?” Because the plot is centered on a child’s inactivity, there’s an extra onus on the art to add interest, and the illustrators are up for the task: They get the story out of Herbie’s house by depicting the fruits of the child’s active imagination. “What if pirates invaded” and “the school needed everyone to HELP PROTECT its SECRET TREASURE CHEST?” The art, rendered in watercolor, gouache, pen and ink, and Procreate, has a daintily labored-over look; its elegance is reinforced by hand-lettered text. Readers shouldn’t expect a lesson on the folly of missing school: The story’s ending, which hinges on a sight gag, makes clear that this book is all in good fun.

A winsome be-careful-what-you-wish-for tale. (Picture book. 4-8)

Pub Date: tomorrow

ISBN: 9798217039999

Page Count: 40

Publisher: Philomel

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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