by Oliver Pötzsch ‧ RELEASE DATE: Dec. 29, 2015
Occasionally ham-fisted, but good fun overall.
Someone or something is chomping on the good burgers of Bamberg, and it’s up to executioner-turned-detective Jakob Kuisl to figure out the whys and wherefores.
Being a hangman has some bennies, including, in the fraught era of counterreformation and inquisition, plenty of job security. Yet Jakob has been ticked off at the good citizens of Schongau ever since his pop “died in great agony” in a cold winter that saw the 1 percent comfortably bundled in furs and the great masses dying of hunger and frostbite. So what’s a self-respecting Bavarian to do? Head for a cathedral city for beer and solace, of course. In the company of daughter Magdalena and occasionally hapless son-in-law Simon (“If you can read books,” growls Jakob, “why can’t you read people?”), Jakob thus makes for Bamberg, where much is amiss. In this latest installment in the Hangman’s Daughter series, bestselling German writer Pötzsch (The Beggar King, 2013, etc.) is not always well-served by an off-handedness that sometimes comes off like Dick Shawn in The Producers (“Maybe he has the plague….That’s going around now”). Still, the setup is delicious: in a time of maddening superstition and general ineptitude (“These stupid drunks would probably get stuck even in a dry riverbed”), some party unknown is adding to the chaos by sinking blades or perhaps fangs and claws into the necks of the unsuspecting Bambergers, and it’s a grand entertainment to watch Jakob and associates go all CSI on the proceedings and sniff, deduce, and otherwise reason toward a solution that involves plenty of red herrings—or red simians, anyway. Fans of catacombs and secret underground cities will thrill at Jakob’s discoveries, and along the way Pötzsch turns in some quietly thoughtful moments that aren’t gooey with sentiment: “As a hangman’s daughter,” he writes to lovely effect, “Magdalena knew all too well how it felt when people looked away when they saw you and secretly crossed themselves.”
Occasionally ham-fisted, but good fun overall.Pub Date: Dec. 29, 2015
ISBN: 978-0-544-61094-1
Page Count: 592
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: Oct. 7, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
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Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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by Robin Hobb ‧ RELEASE DATE: April 17, 1995
At Buckkeep in the Six Duchies, young Fitz, the bastard son of Prince Chivalry, is raised as a stablehand by old warrior Burrich. But when Chivalry dies without legitimate issue—murdered, it's rumored—Fitz, at the orders of King Shrewd, is brought into the palace and trained in the knightly and courtly arts. Meanwhile, secretly at night, he receives instruction from another bastard, Chade, in the assassin's craft. Now, King Shrewd's subjects are imperiled by the visits of the Red-Ship Raiders—formidable warriors who pillage the seacoasts and turn their human victims into vicious, destructive zombies. Since rehabilitating the zombies proves impossible, it's Fitz's task to go abroad covertly and kill them as quickly and humanely as possible. Shrewd orders that Fitz be taught the Skill—mental powers of telepathy and coercion possessed by all those of the royal line; his teacher is Galen, a sadistic ally of the popinjay Prince Regal, who hates Fitz all the more for his loyalty to Shrewd's other son, the stalwart soldier Verity. Galen brutalizes Fitz and, unknown to anyone, implants a mental block that prevents Fitz from using the Skill. Later, Shrewd decrees that, to cement an alliance, Verity shall wed the Princess Kettricken, heir to a remote yet rich mountain kingdom. Verity, occupied with Skillfully keeping the Red-Ship Raiders at bay, can't go to collect his bride, so Regal and Fitz are sent. Finally, Fitz must discover the depths of Regal's perfidy, recapture his true Skill, win Kettricken's heart for Verity, and help Verity defeat the Raiders. An intriguing, controlled, and remarkably assured debut, at once satisfyingly self-contained yet leaving plenty of scope for future extensions and embellishments.
Pub Date: April 17, 1995
ISBN: 0-553-37445-1
Page Count: 368
Publisher: Spectra/Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
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