Utterly charming and subtly subversive.
The first in a series featuring romance between women.
Lucy Muchelney’s father was a celebrated astronomer. No one knows that she was responsible for much of the math behind his most significant work. Catherine Kenwick St. Day, Countess of Moth, traveled the world to look at the stars with her husband, but his death leaves her without a sense of purpose. When Catherine decides to fund the translation of a revolutionary new text by a French scientist, these two women become accomplices—and much, much more. The Regency novel was long one of romance’s most rulebound subgenres. Waite is one of a number of authors who are proving able to satisfy Regency’s demands while getting creative with some of its tropes, and the fact that this novel depicts two women falling in love and developing an unabashedly satisfying sexual relationship is among the least of its delightful surprises. Catherine, for example, is fully aware that the era in which she lives offers less freedom to women than the Enlightenment period just past, and she recognizes that many of the male scholars she knows are supported and assisted by their wives. There’s a moment when Catherine realizes that Lucy doesn’t have the right clothes for London, a moment in which a seasoned Regency fan might expect a shopping spree. Instead, Catherine realizes that buying gowns for Lucy might make Lucy feel obligated to return her affections. The first time Lucy kisses Catherine, she asks for—and receives—affirmative consent. The passion between these women is exciting, but their thoughtfulness and kindness are just as satisfying. There are, of course, some difficult moments in their relationship, but Waite has chosen for the most part to let her heroines face real vicissitudes together instead of manufacturing melodrama.
Utterly charming and subtly subversive.Pub Date: June 25, 2019
ISBN: 978-0-06-293178-8
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
BOOK REVIEW
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Pages of biting humor and breathtaking glamour rewrite a fairy tale into something more satisfying than a stack of tabloids.
Fashion bloggers Cocks and Morgan (Spoiled, 2011, etc.) debunk the princess fantasy in a fictional tell-all inspired by the courtship of Kate Middleton and Prince William.
On the night before her wedding, Rebecca Porter admits that she wasn’t an obvious match for Prince Nicholas of Wales when they first met in the dorms at Oxford. Bex’s account of going from suburban America to Westminster Abbey on the arm of a prince stretches as far back as the train on Princess Diana’s wedding gown, but royal watchers will appreciate the craftsmanship that went into fitting the fictional Lyons dynasty into the timeline of the existing monarchy. Some of the details are invented while others are tweaked. Nick’s rakish brother, Freddie, stands in for Vegas-loving Prince Harry, while Bex’s twin, Lacey, hogs the camera like Pippa Middleton. (And yes, they have a fling while Freddie juggles unfortunately named socialites like Tuppence and Turret.) On a tour of Kensington Palace, Nick and Freddie tease Bex about wanting to steal their Aunt Agatha’s collection of Fabergé eggs while complaining that Henry VIII sullied the rest of the antiques “with his great greasy bum.” Wild parties, sibling rivalry and fashion blunders inevitably land them all in the tabloids with punderful headlines—“Trouble in Porterdise?”—giving Nick doubts about putting Bex in the spotlight. Bex feels the weight of the crown when Nick heads off to military duty, leaving her with a team of stylists who stick fake hair on her head and banish her sister in an effort to improve her image. The question is not whether she loves Nick but whether his love is worth a lifetime of public scrutiny.
Pages of biting humor and breathtaking glamour rewrite a fairy tale into something more satisfying than a stack of tabloids.Pub Date: April 7, 2015
ISBN: 978-1-4555-5710-3
Page Count: 464
Publisher: Grand Central Publishing
Review Posted Online: Feb. 7, 2015
Kirkus Reviews Issue: Feb. 15, 2015
A revelation. Hilarious, heartfelt, and hot. Hibbert is a major talent.
When computer geek Chloe realizes she has allowed her chronic illness to shrink her world, she creates a list of risky adventures that her building superintendent, a hunky artist, is all too happy to share.
After ending an abusive relationship with a London socialite, Redford Morgan has taken refuge in a nearby city, working as a super in his best mate’s building. Once a promising artist, Red’s self-esteem hasn’t fully recovered, so he paints at night in private. When he catches snobbish and prickly tenant Chloe Brown surreptitiously watching him, he doesn’t realize that she admires his lanky ginger looks as well as his vitality and easygoing charm. As a coping strategy for her chronic pain and exhaustion, Chloe has become, in her words, “a socially inept control freak.” Despite himself, Red is deeply attracted to Chloe’s gleaming brown skin and rococo beauty. After they join forces for a side-splittingly funny cat rescue, Chloe agrees to exchange her website design services for Red’s tolerance of her illicit furry roommate, and a friendship is born. With alternating points of view, Hibbert (That Kind of Guy, 2019, etc.) portrays how their relationship helps Red recover from intimate partner violence and helps Chloe stop allowing her fibromyalgia to steal her happiness. The plot sounds heavy, and Hibbert certainly writes authentic moments of physical and emotional pain, but this is an incredibly funny, romantic, and uplifting book. Red is as charming, sexy, and vulnerable as can be, but Chloe steals the show with her sarcasm, wit, and eccentric coping mechanisms. Even better, Chloe is surrounded by a family of remarkable, glamorous women, including two sisters who will be featured in later installments. Hibbert centers the diversity of the English experience, avoiding both the posh and the twee.
A revelation. Hilarious, heartfelt, and hot. Hibbert is a major talent.Pub Date: Nov. 5, 2019
ISBN: 978-0-06-294120-6
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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