A rare delight—stories in stylish prose that do both entertain and move.
Uncharacteristically playful mix of stories from the late Japanese writer Dazai that celebrates quirky families and reinterprets old fairy tales.
Known more for his dark, self-absorbed autobiographical fiction (Self-Portraits, 1991), Dazai was also an innovative stylist who experimented with narrative techniques that would both move and entertain—an ambition more than realized in these pieces, first published in the late 1930's and early 40's in Japan. The first and last—"On Love and Beauty" and "Lanterns of Romance"—are stories-within-stories about a family with literary pretensions through whose veins "flowed an uncommon romanticism." Wealthy, well-educated, and bored, the members while away their tedium by telling serial stories—with each section reflecting the temperament and interests of the respective narrators. In the first story, the five siblings take the confused and intellectually pompous beginning of the youngest son and turn it into a wry tale of an aging professor's illusions of happiness. The last section is an inventive interpretation of Rapunzel, interrupted by descriptions of the family's reactions and comments, especially those of the grandfather, who, "plagued by a certain sense of guilt over his unorthodox behavior, had been making a concerted effort to get on the good side of everyone." The collection's title story is a reworking of an old Chinese legend in which an unhappily married man is shown true love by a magical crow. Other notables here—"The Chrysanthemum Spirit" and "the Mermaid and the Samurai"—are imaginative and gently humorous retellings of old fables in which, respectively, an obsessed gardener finds himself helped by a remarkable family; and death follows when a noble samurai's tale of a malevolent mermaid is not believed.
A rare delight—stories in stylish prose that do both entertain and move.Pub Date: Aug. 1, 1993
ISBN: 4-77001-738-3
Page Count: 200
Publisher: Kodansha
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1993
BOOK REVIEW
BOOK REVIEW
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
At Buckkeep in the Six Duchies, young Fitz, the bastard son of Prince Chivalry, is raised as a stablehand by old warrior Burrich. But when Chivalry dies without legitimate issue—murdered, it's rumored—Fitz, at the orders of King Shrewd, is brought into the palace and trained in the knightly and courtly arts. Meanwhile, secretly at night, he receives instruction from another bastard, Chade, in the assassin's craft. Now, King Shrewd's subjects are imperiled by the visits of the Red-Ship Raiders—formidable warriors who pillage the seacoasts and turn their human victims into vicious, destructive zombies. Since rehabilitating the zombies proves impossible, it's Fitz's task to go abroad covertly and kill them as quickly and humanely as possible. Shrewd orders that Fitz be taught the Skill—mental powers of telepathy and coercion possessed by all those of the royal line; his teacher is Galen, a sadistic ally of the popinjay Prince Regal, who hates Fitz all the more for his loyalty to Shrewd's other son, the stalwart soldier Verity. Galen brutalizes Fitz and, unknown to anyone, implants a mental block that prevents Fitz from using the Skill. Later, Shrewd decrees that, to cement an alliance, Verity shall wed the Princess Kettricken, heir to a remote yet rich mountain kingdom. Verity, occupied with Skillfully keeping the Red-Ship Raiders at bay, can't go to collect his bride, so Regal and Fitz are sent. Finally, Fitz must discover the depths of Regal's perfidy, recapture his true Skill, win Kettricken's heart for Verity, and help Verity defeat the Raiders. An intriguing, controlled, and remarkably assured debut, at once satisfyingly self-contained yet leaving plenty of scope for future extensions and embellishments.
Pub Date: April 17, 1995
ISBN: 0-553-37445-1
Page Count: 368
Publisher: Spectra/Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
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