More fun than a plateful of haggis: a delightful read.
In 1889, Lord Joel Ardglass escapes from Edinburgh’s lunatic asylum. He is known informally as Lord Bampot, which is Scottish slang for idiot.
He may have committed a murder, so inspectors Adolphus “Nine-Nails” McGray and Ian Frey search for him. There’s a clever plot and no shortage of twists and turns, but the colorful characters are what make this novel such a pleasure. Frey narrates—he's a British CID assisting the Commission for the Elucidation of Unsolved Cases Presumably Related to the Odd and Ghostly. McGray is “a scruffy Scotsman who wears ridiculous clothes” and lost the ring finger on his right hand, earning him his nickname. The two don’t always get along—Frey calls McGray “the witchcraft-nonsense expert” and a “filthy…sheep-offal-stuffed…hare-brained Scot!” The detectives chase Ardglass on an eventful train ride and survive poisoning by foxglove. Frey is covered in a foul substance from a witch’s bottle, and a “middle-aged lady with a plumed hat glared at [him] as if faced with a tray of manure.” They encounter horribly contorted poisoning victims and never touch the bottled frog McGray says is “so poisonous ye’d die from touching it with yer fingertip.” Throughout, they try to puzzle out the meaning of “marigold,” written amid a page of scribblings. “The worst thing you can do to yourselves is find it out,” Frey hears. The Scot’s colorful voice pops off the page as he gets the best lines: challenged about his investigation, McGray barks, “Doing my job, ye stinking hag.” About the upper class, “these people only marry commoners to avoid harelip.” He wants to capture Ardglass alive, but it’s a mission fraught with peril. “If ye live through this,” he tells Frey, “ye might have a future writing tacky novels.”
More fun than a plateful of haggis: a delightful read.Pub Date: April 11, 2017
ISBN: 978-1-68177-345-2
Page Count: 432
Publisher: Pegasus Crime
Review Posted Online: Jan. 22, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
An expert juggling act that ends with not one but two intercut trials. More, please.
His Clifton Chronicles (This Was a Man, 2017, etc.) complete, the indefatigable Archer launches a new series that follows a well-born police officer from his first assignment to (spoiler alert) his appointment as commissioner of the Metropolitan Police some volumes down the road.
William Warwick may have been born with a silver spoon in his mouth, but he’s done everything he can to declare his independence from his father, Sir Julian Warwick QC. When William, fresh out of King’s College with a degree in art history, announces his intention to enroll in Hendon Police College, his father realizes that he’ll have to count on William’s older sister, Grace, to carry on the family’s tradition in Her Majesty’s courts. Instead, guileless William patrols the streets of Lambeth until a chance remark lands him on DCI Bruce Lamont’s Art and Antiques unit under the watchful eye of Cmdr. Jack Hawksby. No fewer than four cases await his attention: the forger who signs first editions with the names of their famous authors; a series of even more accomplished forgeries of old masters paintings; a well-organized series of thefts of artworks by a gang whose leader prefers selling them back to the companies who’ve insured them and often don’t even report the thefts to the police; and a mysterious series of purchases of century-old silver by one Kevin Carter. His investigations take William across the path, and then into the bed, of Beth Rainsford, a research assistant at the Fitzmolean gallery, still reeling seven years after a priceless Rembrandt was stolen from its collection, most likely by landowner and self-styled farmer Miles Faulkner. As if to prevent William from getting even a moment’s sleep in between rounds of detection and decorous coupling, Beth unwillingly drags William into a fifth case, a 2-year-old murder whose verdict she has every reason to doubt. One of these cases will bring William up against Grace, whose withering cross-examination of him on the witness stand is a special highlight.
An expert juggling act that ends with not one but two intercut trials. More, please.Pub Date: Sept. 3, 2019
ISBN: 978-1-250-20076-1
Page Count: 336
Publisher: St. Martin's
Review Posted Online: June 16, 2019
Kirkus Reviews Issue: July 1, 2019
PROFILES
A mind-bending mystery, an insightful exploration of parent-child relationships, and a cautionary tale about bitterness and...
A young man seeking catharsis probes old wounds and unleashes fresh pain in this expertly crafted stand-alone from Edgar finalist Gaylin (If I Die Tonight, 2018, etc.).
Quentin Garrison is an accomplished true-crime podcaster, but it’s not until his troubled mother, Kate, fatally overdoses that he tackles the case that destroyed his family. In 1976, teenagers Gabriel LeRoy and April Cooper murdered 12 people in Southern California—Kate’s little sister included—before dying in a fire. Kate’s mother committed suicide, and her father withdrew, neglecting Kate, who in turn neglected Quentin. Quentin intends for Closure to examine the killings’ ripple effects, but after an interview with his estranged grandfather ends in a fight, he resolves to find a different angle. When a source alleges that April is alive and living in New York as Renee Bloom, Quentin is dubious, but efforts to debunk the claim only uncover more supporting evidence, so he flies east to investigate. Renee’s daughter, online film columnist Robin Diamond, is preoccupied with Twitter trolls and marital strife when Quentin calls to inquire about her mom’s connection to April Cooper. Robin initially dismisses Quentin but, upon reflection, realizes she knows nothing of Renee’s past. Before she can ask, a violent home invasion hospitalizes her parents and leaves Robin wondering whom she can trust. Artfully strewn red herrings and a kaleidoscopic narrative heighten tension while sowing seeds of distrust concerning the characters’ honesty and intentions. Letters from April to her future daughter written mid–crime spree punctuate chapters from Quentin's and Robin’s perspectives, humanizing her and Gabriel in contrast with sensationalized accounts from Hollywood and the media.
A mind-bending mystery, an insightful exploration of parent-child relationships, and a cautionary tale about bitterness and blame.Pub Date: July 2, 2019
ISBN: 978-0-06-284454-5
Page Count: 368
Publisher: Morrow/HarperCollins
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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