Opinions may differ about the story’s sublimity; here it’s been made ridiculous.
The richly sentimental 19th-century tale gets a 21st-century setting.
Poor artistic decisions stymie a worthy effort. Preserved here unaltered (though printed in teeny-tiny type), Wilde’s economically written original makes for, as ever, stately, sonorous reading, aloud or otherwise. Visually, Bowman’s eye-filling garden scenes sandwich genuinely shiver-inducing tangles of dry stalks swathed in frost and snow between, in better seasons, views of luxuriant masses of outsized flowers and greenery. The giant is a red-haired, white gent in moderately antique clothing…but the tiny children he chases away (and later welcomes back) are a racially diverse lot in school uniforms and sporting backpacks and hula hoops. Taped-up advertisements on the outside of the giant’s wall and other details further add to the understated contemporary air, and the smallest child, who comes back at the end bearing stigmata to welcome the now-elderly giant to his garden, has an unruly shock of dark hair and an olive complexion. All of this updating comes to naught, though, because with supreme disregard for the story’s essentially solemn tone and cadences, Bowman arbitrarily sticks in silly bits—first depicting Hail as a baboon with a bright red butt (the garden’s other winter residents are at least embodied as northern animals) and then in a climactic scene putting the giant into humongous footie pajamas decorated with bunnies and carrots. Talk about discordant notes.
Opinions may differ about the story’s sublimity; here it’s been made ridiculous. (Picture book. 6-9)Pub Date: April 1, 2019
ISBN: 978-1-64170-126-6
Page Count: 32
Publisher: Familius
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
When Bibi, her first and favorite babysitter, moves away, it takes all of August for 8-year-old Eleanor to get beyond her sense of loss and get used to a new caretaker. Her parents grieve, too; her mother even takes some time off work. But, as is inevitable in a two-income family, eventually a new sitter appears. Natalie is sensible and understanding. They find new activities to do together, including setting up a lemonade stand outside Eleanor’s Brooklyn apartment building, waiting for Val, the mail carrier, and taking pictures of flowers with Natalie’s camera. Gradually Eleanor adjusts, September comes, her new teacher writes a welcoming letter, her best friend returns from summer vacation and third grade starts smoothly. Best of all, Val brings a loving letter from Bibi in Florida. While the story is relatively lengthy, each chapter is a self-contained episode, written simply and presented in short lines, accessible to those still struggling with the printed word. Cordell’s gray-scale line drawings reflect the action and help break up the text on almost every page. This first novel is a promising debut. Eleanor’s concerns, not only about her babysitter, but also about playmates, friends and a new school year will be familiar to readers, who will look forward to hearing more about her life. (Fiction. 7-9)
Pub Date: March 1, 2011
ISBN: 978-0-8109-8424-0
Page Count: 128
Publisher: Amulet/Abrams
Review Posted Online: Feb. 10, 2011
Kirkus Reviews Issue: Feb. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fresh, if not quite as seamless, alternative to Robert D. and Daniel San Souci’s Song of Sedna (1981).
A popular Inuit cautionary legend, featuring a haughty young woman and a gruesome climactic twist.
Arnaq will accept no suitor, until a shaman sea bird disguised as a handsome young man sweeps her away with glittering promises to a wretched, reeking tent on a distant shore. When her father arrives to rescue her, the shaman raises such a storm that her terrified dad casts her overboard—and cuts off her fingers to keep her from holding on to the boat. Those fingers are transformed into whales and seals, and she, into a testy spirit named Nuliajuq, who calls up storms on all who “disrespect the land or the sea.” This and other modern-sounding lines (“Eventually Arnaq succumbed to complete depression”) give the otherwise formal narrative a playfully anachronistic air that may or may not be intentional. Lim illustrates the tale in a realistic rather than stylized way, using flowing lines and brush strokes to depict natural settings, faces, Arnaq’s lustrous locks (and, though seen only from a distance, fingerless hands), and a range of accurately detailed arctic and sea animals. In an afterword, the author explains that the sea spirit goes by several regional names; a pronunciation guide to Inuktitut words in this version is also included.
A fresh, if not quite as seamless, alternative to Robert D. and Daniel San Souci’s Song of Sedna (1981). (Picture book/folk tale. 7-9)Pub Date: March 1, 2015
ISBN: 978-1-927095-75-1
Page Count: 32
Publisher: Inhabit Media
Review Posted Online: Jan. 9, 2015
Kirkus Reviews Issue: Jan. 15, 2015
BOOK REVIEW
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