A breezy, soap opera–style story frothed with equal parts jealousy, vengeance, greed, and glamour.
A melodrama features a scorned wife and her dire desire to end up a grieving widow rather than an embittered ex-spouse.
Swiss writer Greco (Angelica’s Discoveries, 2012, etc.) delivers a novel of deceit and comeuppance starring Daisy While, a woman on a mission. The briskly narrated opening chapter finds Daisy dashing through a hospital ward elegantly disguised in an oversized purple hat, carrying a designer purse, and brandishing a perfume bottle filled with poison. Beguiling yet with deadly intentions and “fully loaded with hate,” she heads toward her estranged husband Bernard’s room, where he lies dying. The couple has been estranged for nearly a decade, and Daisy has determined that becoming a widow rather than a divorcée would better suit her high-society reputation, so she’s meticulously plotted her husband’s demise. Not one for surprises, however, Daisy is completely flummoxed upon discovering an unknown woman at Bernard’s bedside. A heated confrontation with the stranger has Daisy on the run. Meanwhile, upon realizing the visitor was his estranged wife, Bernard reflects on his marriage to Daisy, a selfish woman who’d enjoyed a clandestine affair with one of his wealthy business partners. Greco dedicates a good portion of her delightfully devilish book to Daisy and Bernard’s bittersweet back story: he was a rugged, honorable military lieutenant in World War II who’d enjoyed a whirlwind romance with Daisy, a British nanny who grew up poor. Bernard had whisked her away to his Swiss village in 1950, and they promptly married and relocated to England, where he spoiled her and their children. Daisy soon developed a fetish for extravagance, manipulation, and the rush of hunting animals, but it was her indiscretion that cost her Bernard’s love. Meanwhile, Bernard’s old schoolmate Graziella is more than happy to replace her. When Daisy’s plan goes even more awry, she becomes embroiled in another problematic scheme. The author, a clever storyteller, wastes no time with exposition or extraneous dialogue; this is a swift, bracing tale stocked with a minimum of characters. Yet those players are addictive personalities who are well-developed and believable. The initially confusing conclusion is wrapped up as quickly as Daisy and Bernard’s tumultuous situation is presented in the opening pages. But their journey and the heroine’s epiphany make the tale entertaining, enjoyable, and easily devoured in one sitting for fast readers.
A breezy, soap opera–style story frothed with equal parts jealousy, vengeance, greed, and glamour.Pub Date: March 29, 2017
ISBN: 978-1-5320-1321-8
Page Count: 162
Publisher: iUniverse
Review Posted Online: June 13, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
