A breezy, soap opera–style story frothed with equal parts jealousy, vengeance, greed, and glamour.

THE LADY WITH THE PURPLE HAT

A melodrama features a scorned wife and her dire desire to end up a grieving widow rather than an embittered ex-spouse.

Swiss writer Greco (Angelica’s Discoveries, 2012, etc.) delivers a novel of deceit and comeuppance starring Daisy While, a woman on a mission. The briskly narrated opening chapter finds Daisy dashing through a hospital ward elegantly disguised in an oversized purple hat, carrying a designer purse, and brandishing a perfume bottle filled with poison. Beguiling yet with deadly intentions and “fully loaded with hate,” she heads toward her estranged husband Bernard’s room, where he lies dying. The couple has been estranged for nearly a decade, and Daisy has determined that becoming a widow rather than a divorcée would better suit her high-society reputation, so she’s meticulously plotted her husband’s demise. Not one for surprises, however, Daisy is completely flummoxed upon discovering an unknown woman at Bernard’s bedside. A heated confrontation with the stranger has Daisy on the run. Meanwhile, upon realizing the visitor was his estranged wife, Bernard reflects on his marriage to Daisy, a selfish woman who’d enjoyed a clandestine affair with one of his wealthy business partners. Greco dedicates a good portion of her delightfully devilish book to Daisy and Bernard’s bittersweet back story: he was a rugged, honorable military lieutenant in World War II who’d enjoyed a whirlwind romance with Daisy, a British nanny who grew up poor. Bernard had whisked her away to his Swiss village in 1950, and they promptly married and relocated to England, where he spoiled her and their children. Daisy soon developed a fetish for extravagance, manipulation, and the rush of hunting animals, but it was her indiscretion that cost her Bernard’s love. Meanwhile, Bernard’s old schoolmate Graziella is more than happy to replace her. When Daisy’s plan goes even more awry, she becomes embroiled in another problematic scheme. The author, a clever storyteller, wastes no time with exposition or extraneous dialogue; this is a swift, bracing tale stocked with a minimum of characters. Yet those players are addictive personalities who are well-developed and believable. The initially confusing conclusion is wrapped up as quickly as Daisy and Bernard’s tumultuous situation is presented in the opening pages. But their journey and the heroine’s epiphany make the tale entertaining, enjoyable, and easily devoured in one sitting for fast readers.  

A breezy, soap opera–style story frothed with equal parts jealousy, vengeance, greed, and glamour.  

Pub Date: March 29, 2017

ISBN: 978-1-5320-1321-8

Page Count: 162

Publisher: iUniverse

Review Posted Online: June 13, 2017

Did you like this book?

No Comments Yet

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Reader Votes

  • Readers Vote
  • 44

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

Reader Votes

  • Readers Vote
  • 13

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

NINTH HOUSE

Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

Did you like this book?

more