A lively and beautifully crafted novel about the anguish of belief.
An astute novel that asks us to take seriously the possibility that Harold Peeks, a relatively mild-mannered computer salesman, is in fact the Son of God, as he announces.
Egerton (stories: How Best to Avoid Dying, 2007, etc.) keeps us deftly balanced between two equally plausible possibilities—that Harold is divine and capable of miracles or that he’s an authentic wacko. In accepting an award for Most Improved Sales Analyst, for example, Harold claims that he might indeed have “an unfair advantage since I am Christ, the Son of God. But thank you all the same.” One thing’s for sure—he’s here to challenge the way we live our lives, and no one is more aware of this fact than fellow computer salesman Blake Waterson. At the beginning of the novel, Blake lives a quintessentially American existence—he’s married to Jennifer, a woman he adores, and has an adolescent daughter named Tammy. They have a comfortable life in Houston, and we infer that Blake has never been inspired to question the general rightness of his life. When Harold quits the computer company, he turns to Blake and tells him he should quit as well because it’s not his vocation. While it might be an exaggeration to say that Harold “performs” miracles, they certainly seem to follow in his wake. When Harold decides to make a pilgrimage from Houston to Austin, Blake and a few ragged others follow him. Toward the end of the journey, Blake finds out that Jennifer, who has been estranged from Blake since he unfathomably began believing in Harold, is ill. Blake rushes back to be with her, but when she dies, he begins to question the nature of a universe—and a God—that could let such suffering happen. The story is narrated with consummate skill, moving nimbly from Blake’s narrative, told in retrospect, to documents from the church of “Haroldism” that grow up around its enigmatic founder.
A lively and beautifully crafted novel about the anguish of belief.Pub Date: May 1, 2010
ISBN: 978-0-9844488-0-7
Page Count: 224
Publisher: Dalton
Review Posted Online: Oct. 12, 2010
Kirkus Reviews Issue: Nov. 1, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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