A rich collection for Parry fans—and everyone else.
Five Christmas historicals, companions to Parry’s Our Simple Gifts: Civil War Christmas Tales (2002).
Inspirational writer Parry plunges you into a cobblestoned American past. In “Coal and Iron,” on a bitter Christmas Eve in 1887 aging Welshman and widower Captain David Davies, a top policeman for a Pennsylvania coalfield near Pottsville, has the dismal job of keeping the families of Irish coal miners from picking up coal fallen from train cars. The strike has gone on for two weeks, striker homes are without heat, and the company bosses won’t give in. Viewing the cold chimneys of strikers’ quarters, Davies is moved by an aged crone, to whom loose coal is refused, to perform an act of charity that could cost him his job. Brief as it is, this is as strong about coalfields as the 1939 novel about Welsh coalminers, How Green Was My Valley. In the superb “Appearances,” a rare bit of fiction about the American army of occupation in Germany on Christmas Eve in 1918, Colonel Lasswell Nichols, an officer proud of his long service and intent on keeping up his appearance of restrained emotion, hosts a Christmas dinner for German war orphans who are lean as coyotes under their orphanage’s icy militarism. He finds himself unbearably moved but, even though his wife and daughters are dead of influenza an ocean away, must not look weak to his men. Set on Christmas Eve in 1928, the wonderfully funny “How Jimmy Mulvaney Astonished the World for Christmas” tells of a thieving Irishman in Pottsville who won’t ruin his only suit, threadbare as it is, to save a baby in a house fire but does race in anyway, to the top floor, to rifle drawers for hidden possessions. Who should turn up but dead-drunk Julian English, from Pottsville author John O’Hara’s Appointment in Samarra—whom the Irishman robs!
A rich collection for Parry fans—and everyone else.Pub Date: Nov. 1, 2004
ISBN: 0-06-057236-1
Page Count: 192
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2004
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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