If he can shuck off the affectations of writing-program poetry, Sheers has the potential to become a major voice.
A first volume by a highly regarded Fijian-Welsh poet, recent winner of a Vogue award for young writers. Sheers writes in a crisp, clipped diction, full of internal rhyme and abrupt line breaks. Occasionally he trips over his own tongue in overstuffed lines that recall Hopkins at his most overwrought, but mostly these poems are lean and muscular, if somewhat mannered. The first half of the volume is death-obsessed in a way that’s a bit morbid in the work of a writer this young; the second half’s focus on the rise and fall of romantic and sexual passions seems more in character and rather more acutely observed. Running throughout is an ambivalent celebration of physical sensation, of an active life that takes in farming, swimming, and sex. Sheers may well be the first poet to write an effective piece about surfing (“Sea Reading”), and he is clearly a man of many islands, both Fijian and British—with everything that implies coming into play in his verse. He displays a strong sense of narrative, even though the poems here are all quite brief, and he is quite capable of a strong, original image (as in the Degas section of the poem “Gallery,” in which he writes, “a woman plays the cello of her hair”).
If he can shuck off the affectations of writing-program poetry, Sheers has the potential to become a major voice.Pub Date: Sept. 25, 2000
ISBN: 1-85411-277-5
Page Count: 64
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2000
A strongly plotted thriller about a plague-like epidemic on a space station. Superb research lifts Gerritsen to the top of the ladder as Michael Crichton and Robin Cook wave from below. Gerritsen’s tale doesn—t have the mystical touch that Stanislaw Lem would have added, though the essential mystery here is a fairly mystical monster, a multicellular microscopic organism called the Chimera. A geologist, trapped in a submersible 19,000 feet deep in the Gal†pagos Rift, ties in with an outbreak on mankind’s first internationally built space station (ISS), orbiting earth. The ISS, five years in the assembling and twice as long as a football field, is manned by an international team of scientists whose work, in part, focuses on testing the effects of weightlessness on microbes and viruses. When tested on earth, such cultures can grow only on flat slides. In space, without gravity, they grow three-dimensionally and assume unbounded shapes. Someone has hoodwinked the space doctors by having them test an absolutely unknown organism that has been lifted from bubbling thermals on the ocean floor. This creature has hideous properties that allow it to take on the DNA of any host it enters, be such lab mouse, frog, or human. Thus, any vaccine that might kill the amazing Chimera, whose DNA is part frog, part mouse, and part human, would kill the host as well. The story builds to a Liebestodt of dancing horror as fatal globules of infected blood erupt weightlessly from the dying, float about the ship, and clog the air filters. Meanwhile, the main romantic interest turns on a couple in the process of divorce, astronauts Emma Watson and Dr. Jack McCallum. Doc Gerritsen (Bloodstream, 1998, etc.), a former internist who creates chilling viral disasters, knows all the natural gates and alleys of the human bio-novel as well as she does the musculature of suspense.
Pub Date: Aug. 17, 1999
ISBN: 0-671-01678-4
Page Count: 331
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1999
Great fun, and with a few poignant moments too.
Nantucket in summer, four chummy couples, romantic intrigue and a possible murder, in the latest from Hilderbrand (A Summer Affair, 2008, etc.).
The book opens with the death of Greg and Tess MacAvoy. Sailing from Nantucket to Martha’s Vineyard for their 12th anniversary, the beloved couple is found drowned, trapped under their boat. Ed Kapenash, Nantucket Chief of Police and one of Greg’s best friends, has to break the news to his wife Andrea, Tess’s cousin. They are joined in mourning by rich, cultured Addison Wheeler; his wife Phoebe, a pill-popping zombie since her twin’s death on 9/11; wild Delilah Drake (in love with Greg); and her stoic husband Jeff. Inseparable for years, the four couples loved and respected each other, vacationed together, watched each other’s children; in fact, they seemed to have an idyllic life of friendship on the island—until the death of Greg and Tess uncovers all their dirty secrets. The toxicology report finds heroin in the bloodstream of sweet, overcautious Tess, a kindergarten teacher and doting mother of twins. Ed also finds five phone calls on Tess’s phone from Addison the morning of the sail. Were the MavAvoys’ deaths an accident or a murder plot gone wrong? Much of the mystery hinges on what happened between Greg, a music teacher at the local high school, and April Peck, a student who several months earlier accused him of sexual misconduct. With a few strings pulled by Ed, Greg’s career was saved, but the strain of the scandal has unforeseen consequences on the surviving friends. In mourning, each feels somehow culpable; slowly they confront together the sordid underbelly of their seemingly respectable lives. If the plot becomes a bit stretched at the end, never mind: Hilderbrand has a master’s touch at characterization, making the novel’s players seem so familiar that the revelation of their secrets is irresistible.
Great fun, and with a few poignant moments too.Pub Date: July 7, 2009
ISBN: 978-0-316-04389-2
Page Count: 416
Publisher: Little, Brown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 2009
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