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THE TRANSLATION OF MEMORIES

RECOLLECTIONS OF THE YOUNG PROUST

Drawing on letters exchanged between Marcel Proust, remarkable composer and musician Reynaldo Hahn, and Marie Nordlinger, Hahn’s British cousin, who distinguished herself as an artist, journalist, and businesswoman, Prestwich weaves a sketchy portrayal of the fin-de-siäcle European cultural elite. In a superficially erudite manner, Prestwich (a freelance arts journalist and heir to Nordlinger’s letters and memorabilia) throws into her book all sorts of references to various turn-of-the-century personalities and events, from the Dreyfus affair to the 1900 Universal Exhibition to Oscar Wilde’s trial. Amazingly, random mosaic pieces like these eventually fall together to form a rather coherent account of the episodes that served as raw material for Proust’s masterpiece, In Search of Lost Time. Although Prestwich pays equal tribute to each of her three protagonists, it’s undoubtedly the figure of Proust who keeps our interest afloat. As reflected in Nordlinger’s memories and letters, Proust seems to have been a passive, self-reflecting observer rather than an active participant in the turmoil of life. Inclined to hypochondria, he was constantly preoccupied with issues of his own mortality and often remained bed-ridden for months due to attacks of asthma or hay fever. His nervous disorder might have resulted from semisuppressed homosexuality, which he himself once qualified as an “incurable disease,” or from the overprotective attitude of his loving mother. Hahn’s remarks to Marie suggest that Marcel deliberately cultivated pain and suffering, considering them beneficial to his art. One of the most invaluable portions of the book deals with Proust’s fascination with Ruskin’s aesthetic theories. During the long 14 years (1895—1909) he spent drafting preliminary episodes for his major novel, Proust’s main passion and regular occupation was translating and interpreting Ruskin’s works with Nordlinger’s assistance. Prestwich’s analysis of the correspondence between Proust and two of his friends can supply the key to a fuller understanding of many episodes from In Search of Lost Time, but readers unfamiliar with the details of the novel may find it hard to appreciate this biographical commentary.

Pub Date: Sept. 10, 1999

ISBN: 0-7206-1056-7

Page Count: 268

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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